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Media and Identity Formation: Unit 4
Media and Identity Formation: Unit 4
Media and Identity Formation: Unit 4
How much media exposure does the Japanese audience have? Japan Media Review Statistics, June 24, 2004: 126.9M people, 100M TV sets, 120.5M radios, 73M mobile phones, 99% literacy rate 86% read a newspaper daily, down from 91% fifteen years ago Japans 49M households bought about 47M newspaper subscriptions in 2003 The Japanese spend about 21 minutes/day on average reading the newspaper Only 29% of the Japanese believe that mass media generally reports the truth 40% of the Japanese watch TV more than 4 hours/day Some 20% of the Japanese feel uneasy without the TV on
TOPICS TO BE COVERED 1. What do these media images suggest about the identity of Japanese teenagers in the context of economic challenges, changes in social structure, and the emergence of new technology? 2. How different are they from American teenagers? 3. Are the images in the media reflective of typical teenagers, or fringe groups which, by sheer notoriety, gain media attention but do not necessarily provide representations of typical Japanese teenagers? 4. To what extent do these media images influence other teenagers, both in Japan and in other places?
THE COUNTER-STEREOTYPES Fringe? Fad? Foretaste of the futures typical Japanese teenager?
1. 2. 3. 4. 5.
1. KAWAII From the Japanese term which means cute or adorable, it refers to the look represented by Hello Kitty, Sanrio, and other similar labels preferred by the cheenayja, the term used to refer to the consumer market of people who are not adults, yet not children, which emphasizes trends and follows a current fashion.
2. GANGURO
literally "face-black," a fashion trend among Japanese girls, which was an outgrowth of chapatsu hair dyeing. (Some sources say that the "gan" syllable in ganguro is actually from the term "gan-gan", a vulgar emphasis word somewhat like the British use of "bloody.) The basic look is bleached- blond hair and a deep tan, produced by tanning beds or makeup. The intent is to produce the tanned, blond California beach girl look. . Accessories include high platform shoes or boots, purikura photo stickers, and cellular phones. It goes against the grain of the usual Japanese standard of female beauty, which calls for skin as white as possible. The roots of the trend are said to be in the mid-1990s, starting with a popular tanned Okinawan singer named Amuro Namie and black British fashion model Naomi Campbell.
4. OTAKU In contrast to the other groups, otaku are not fashionistas the term is associated with fans of manga and anime, and suggests a disregard for personal appearance and a preoccupation with technology, the collection of bizarre data. According to Karo Greenfield, OTAKU are part of Japans speed generation and a society in symbiosis with the machine, where grandmothers in kimonos bow in gratitude to their automated banking machines, young couples bring hand-held computer games along for romantic evenings out, and workers on a Tokyo assembly line vote their robot coworkers into the Auto Workers Union.
5. Other groups have emerged in recent years, such as the KOGYARU or KOGALl, which are typically girls and young women in urban areas characterized by high disposable incomes and unique tastes in fashion, music, and social activity. http://en.wikipedia.org/wiki/Kogal References to KEITAI culture has acquired a negative connotation because of the association with mobile-enabled prostitution.
ELEMENTS OF SIMILARITY AND/OR DIFFERENCES BETWEEN JAPANESE AND AMERICAN TEENAGERS IDENTITY AS REFLECTED IN MEDIA IMAGES
Television commercials Movies Print ads
DIRECTION OF INFLUENCE
Western influence American images in Japanese media Eastern influence Kawaii, Fruits, and Otaku in the U.S. http://www.otakon.com/default2.asp Otakon 2004, Baltimore, MD, July 30-Aug.1, 2004 http://fruits.meetup.com/ (site lists 168 groups worldwide) International Meetup on July 17, 2004
Unit Project
Study the concept of identity by focusing on a specific image of Japanese teenagers in the media, FRUITS. Join a meet-up online Collect a variety of media images Look for patterns in the images, Examine possible relationships with traditional Japanese elements
FRUITS!
The goal is to challenge traditional forms Mohawks (has that become a tradition?) are only for men!)
MEDIA PRESENCE (degree of pervasiveness, ease of access, type of media, etc.) validates and reifies group identity variations in types of access, cross-over to other communication channels (e.g., from print to television, to interpersonal interactions
FRUITS A street fashion fad? Nothing more than the product of a shrewd marketing strategy? Youths expression rebellion against tradition? A symptom of broader changes in identity? Ultimately, the question is