Modest Mussorgsky

Night on a Bare Mountain

Primary classroom lesson plan

Written by
Rachel Leach
Lesson outcomes
After this lesson, pupils will be able to:
• listen and reflect on a piece of orchestral music
• invent their own musical motifs and structure them into
a piece
• perform as an ensemble
• learn musical language appropriate to the task

Copyright : Words - Rachel Leach, Design - BBC 2

Curriculum checklist
Learners will:
• play and perform in ensemble contexts, using voices and
playing musical instruments
• improvise and compose music for a range of purposes
using the interrelated dimensions of music
• listen with attention to detail and recall sounds with
increasing aural memory

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Glossary of music terms
Term Definition
Accelerando gradually getting faster

Glissando A ‘slide’ between notes, i.e. when a beater is swiped over the notes of a
xylophone. (The most famous glissandos are played by trombones)
Next-door notes moving stepwise up and down without leaps or gaps between the
pitches
Orchestrate choose which instruments perform which parts of the music

Pitched percussion percussion instruments that can play different pitches – xylophones,
glockenspiels, chime bars etc.

Tempo another word for speed

Unpitched percussion percussion instruments that can only make a limited number of sounds –
drums, shakers woodblocks, tambourine etc.

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 Lesson 1
Watching and listening

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Background – the composer
Modest Mussorgsky
(1839 - 1881)
• Russian composer.
• Part of a group called ‘The Five’
who wrote Russian sounding
music using folk tunes and
traditional stories
• Had difficulty finishing pieces,
many (including this one) were
finished by other composers after
his death so he never knew how
popular and beloved his music was

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Background – the music
Night on a Bare Mountain
 Written in 1867 and finished on
the night of St John’s Eve when
legend says the witches’ Sabbath
takes place!
 One of the first Russian ‘tone
poems’ (i.e. a piece describing a
story)
 Describes witches casting spells,
dancing and partying until the
sun comes up
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 Watch the orchestral performance

https://www.bbc.co.uk/programmes/p02b5d
my
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Move with the music

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 Lesson 2
Casting a spell

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Learn the ‘footsteps’ pattern

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Learn the ‘spell’ pattern

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Join the patterns together

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 Create your own piece
Decide:
• the order of the groups
• if the groups stay separate or layer up
their ideas
• how many times the patterns are
repeated
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 Lesson 3
Witches’ ingredients

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Learn this simple tune

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Can you add lyrics to the tune?

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 Lesson 4
Witches’ dance

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 Learn this rhythm

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Try it with these pitches

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Can you add the footsteps?

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 Accelerando

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Lesson 5
Dawn

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 There are 3 parts to the next section
• Slow footsteps
• A rising tune using next-door notes
• A slow, tolling bell

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Create your own ‘dawn’ piece

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 Lesson 6
Performance time!

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 Structure your piece

Spell - Dance - Dawn

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 Let’s perform

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Taking it further – cross-curricular activities
ARTWORK: Listen to Mussorgsky’s piece again and use it as
inspiration for artwork. Can you draw the witches’ party?

LITERACY: Tell the story of the witches. Why are they

celebrating? Where have they come from? Where do they
go at dawn?

LISTENING: Many composers have written music to describe

stories (tone poems) and there is lots to explore and be
inspired by. Some of the best are: Rimsky-Korsakov’s
Scheherazade, Borodin’s In the Steppes of Central Asia,
Dvorak’s The Noon Witch and Saint-Saens’ Danse Macabre
Copyright : Words - Rachel Leach, Design - BBC 29