GC-203 Assignment RISHABH

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Faculty of Arts GROUP – G

B.VOC(TOURISM & HOSPITALITY MANAGEMENT) 1.PUSHKAR GUPTA (21214VTH039)


‘ FASHION AND BRANDS IN FRNCH’ 2.RAGINI MISHRA (21214VTH040)
3.RAHUL KUMAR (21214VTH041)
4.RAHUL KUMAR (21214VTH042)
5.RISHABH TIWARI (21214VTH043)
6.RITIK SRIVASTAVA (21214VTH044)

2 N D S EM A S S IG N M EN T O F : G C – 2 0 3 C O M M U N I C AT I O N S K I L L – I N
FRENCH
S U B M I T TED TO : M S . S H A R D H A R A S U B M I TT E D
B Y: G R O U P G
TOPIC:FRENCH FASHION AND BRANDS

This Photo by Unknown Author is licensed under CC BY-SA-NC


VDDSFHISTORYD

Fashion in France is an important subject in the culture In the 19th century, fashion made a transition in
and country`s social life, as well, being an important part specialization to the modern term Haute Couture,
of its economy. which originated in the 1860s, bringing good taste to
fashion.
Fashion design and production became prominent in
France from the 15th century. During the 17th century, The term pret-a-porter originated in the 1960s as a
fashion for export and local consumption exploded into a reaction against traditional notions of fashion and
flourishing industry, with the Royal Finance Minister, Jean the apparel-making process that served the needs of
– Bapstite Colbert, stating, “Fashion for France is what pop culture and mass media.
Peru`s gold mines are for Spain”.
Fashion in royal portraits
17 Century
th
Over his lifetime, Louis commissioned
The Baroque and Classicism numerous works of art to portray himself,
among them over 300 formal portraits.
Fashion Prints
The association of France with fashion and Trends
style is widely credited as beginning during the
Louis XIV notably introduced one of the most
reign of Louis XIV. when the luxury goods
noticeable feature of the men's costume of
industries in France came increasingly under
the time: immense wigs of curled hair. A
royal control and the French royal court
commonly held belief is that Louis XIV
became, arguably, the arbiter of taste and style
started to wear wigs due to balding, and to
in Europe. The rise in prominence of French
Louis XIV, the "Sun imitate this his courtiers put on false hair.
fashion was linked to the creation of the
fashion press in the early 1670s which king" was the
absolute monarch of The king also used fashion to create a certain
transformed the fashion industry by marketing effect or theme. During the marriage of his
designs to a broad public outside the French France, made his
kingdom the leading great-grandson, the French entourage
court and by popularizing notions such as the European power and dressed in bright colours and fashions to
fashion "season" and changing styles. was the fashion idol contrast with the more soberly dressed
of the Baroque age. Spanish. This was in order to seem younger
and more virile than the Spanish courtiers
18th century
The Rococo’ and early New classicism
Fashion during the French
Revolution greatly reflected the
political climate of France. Sans-
The extravagant styles of the French Royal court culottes were known to wear the
racked up enormous debts to keep up its pace, at the red cap of liberty, also called the
peasants' expense. Such fashion sprees notably ruined Phrygian cap. This cap was a
Marie Antoinette's reputation, and were one of the controversial symbol of rebellion
many factors paving the way for the French worn exclusively by lower class
Revolution. revolutionaries.
In 1780s, the interest in high fashion surpassed the
boundaries of economic rank. Women in Paris
purchasing luxury items worn by elites like watches,
buttons, and belt. Marie Antoinette the
Queen of France, in
extravagant 18th century
French fashion
The Merveilleuses wore dresses The sandals were tied above the ankle with
modelled after ancient Greeks and crossed
19th century ribbons or strings of pearls. Exotic
Full Neoclassicism & Empire style

Romans, cut of light or even transparent and expensive scents fabricated by perfume
linen. Sometimes so revealing that houses like Parfums Lubin were worn as both
termed as “woven air”. for style and as indicators of social station.
Thérésa Tallien, known as "Our Lady of
They were fond of wigs, often choosing Thermidor", wore expensive rings on the toes
blonde because the Paris Commune of her bare feet and gold circlets on her legs.
had banned blonde wigs, but they also
wore them in black, blue, and green. The Incroyables wore eccentric outfits: large
Enormous hats, short curls like those on earrings, green jackets, wide trousers, huge
Roman busts, and Greek-style sandals neckties, thick glasses, and hats topped by
were the most popular. "dog ears", their hair falling on their ears.
Bicorne hats and carried bludgeons,
which referred to as their "executive
power." Hair was often shoulder-
length, sometimes pulled up in the
back with a comb to imitate the
hairstyles of the condemned.
Parisian society compared Germaine
de Stal and Emme Raguet to
Minerva and Juno and named their
clothing for Roman gods: Gowns
were styled Flora or Diana.
De Barras reputation of immortality Under Napoleon
may have been a factor that brought Thérésa Tallien, Bonaparte neo-
a leading classical styles
the French consulate to power and Merveilleuse reached its peak.
paved way for Napoleon Bonaparte.
Final 19th & early 20th century
Belle e’poque and Anne’ees folles Coco
Chanel,
French
designer
France renewed its dominance of the revolutionise
high fashion industry in the years d fashion
1860–1960 through the establishing world, in the
of the great couturier houses, the post-World
fashion press and fashion shows. War I era.

The first modern Parisian couturier


house is generally considered the In the late nineteenth and early
work of the Englishman Charles twentieth century, the industry
Frederick Worth, who dominated theexpanded through such Parisian
industry from 1858–1895. fashion houses.
FASHION HOUSE Chanel founded by Chanel's own enthusiastic
OF: Mademoiselle Coco indulgence in the sporting
Jacques Doucet- Chanel, it first came to life led to clothing designs
1871 prominence in 1925, its informed by those activities.
Rouff-1884
Jeanne paquin1891 philosophy was to From her excursions on
Callot Soeurs-1895 emphasize understated water with the yachting
Paul Poiret-1903 elegance through her world, she appropriated the
Louise Chéruit- clothing. Her popularity clothing associated with
1906 thrived in the 1920s, nautical pursuits: the
Madeleine Vionnet -
1912 because of innovative horizontal striped shirt, bell-
Patou-1919 designs. Chanel had a bottom pants, crewneck
Elsa Schiaparelli- boyish figure, short sweaters, and espadrille
1927 cropped hair, and tanned shoes—all traditionally
skin. She had a distinct worn by sailors and
type of beauty that the fishermen.
World War II
Trente Glorieuses and New Look
The archives of the
Chambre Syndicale de la
Many fashion houses closed Couture were seized,
during the occupation of Paris in mostly for their client lists
World War II, including the Maison as Jews were excluded
Vionnet and the Maison Chanel. from the fashion industry
Meanwhile, Germany was taking at this time. During this
possession of over half of what era, the number of
France produced, including high Evening dress employed models was
fashion, and was considering and evening limited to seventy-five and
relocating French haute couture to glove, House of designers often
Dior, 1954.
the cities of Berlin and Vienna, Indianapolis substituted materials in
neither of which had any Museum of Art. order to comply with
significant tradition of fashion. wartime shortages.
In spite of the fact that so Post-war fashion returned
many fashion houses closed to prominence through Other important
down or moved away Christian Dior's famous houses of the
during the war, several new "New Look" in 1947: the period included
houses remained open, Pierre Balmain
collection contained and Hubert de
including Jacques, Maggy, dresses with tiny waists, Givenchy
Marcel Rochas, Jeanne majestic busts, and full (opened in 1952).
Lafaurie, Nina Ricci, and skirts swelling out , in a The fashion
Madeleine Vramant. During manner very similar to the magazine Elle
was founded in
the Occupation, the only style of the Belle Époque. 1945. In 1952,
true way for a woman to The extravagant use of Coco Chanel
flaunt her extravagance and fabric and the feminine herself returned to
add color to a drab outfit elegance of the designs Paris.
was to wear a hat. appealed greatly to a post-
war clientele.
Paris is regarded as the world fashion capital, and spread throughout the
MODERN DAYS city are many fashion boutiques. Most of the major French fashion brands,
such as Chanel, Louis Vuitton, Dior, and Lacroix, are currently
Post-war fashion returned to headquartered here.
prominence through Christian Dior's
famous "New Look" in 1947: the Marseilleis affectionately called "The Old Lady of the Mediterranean" or
"The City of Contrasts".[31] The city has enjoyed its position on the
collection contained dresses with tiny continent being a fluvial port with ships full of fashion products. The
waists, majestic busts, and full skirts avenue Canebière is called the "Champs Elysées of Marseille“
swelling out beneath small bodices, in a
manner very similar to the style of the Lyon, the third largest city of France, is a growing fashion industry center. It
Belle Époque. The extravagant use of has been the world's silk capital since the 17th century, with an important
fabric and the feminine elegance of the textile industry and a strong fashion culture. It is the second biggest luxury
designs appealed greatly to a post-war goods consumer of the country, with major streets and districts holding
clientele houses of high fashion.[
THE PARIS FASHION WEEK TAKES PLACE TWICE A YEAR
AFTER THE MILAN FASHION WEEK. IT IS THE LAST AND
FASHION SHOWS USUALLY THE MOST ANTICIPATED CITY OF THE FASHION
MONTH
DATES ARE DETERMINED BY THE FRENCH FASHION FEDERATION. CURRENTLY, THE
FASHION WEEK IS HELD IN THE CARROUSEL DU LOUVRE.

Africa Fashion Week Paris


Bordeaux Fashion Week
Elite Model Look
Cannes-Nice Fashion Week
Bal des débutantes
Lille Fashion Week
FASHION SHOW

Lyon Fashion Week (FashionCity


Marseille Fashion Week
Nantes Fashion Week
Rennes Fashion Week
Toulouse Fashion Week
Strasbourg Fashion Week (EM
Fashion Week) FASHION WEEK

St. Tropez Fashion Week


Spring 2004 Dior couture
collection
Monaco: Montecarlo Fashion
Week (Fashion Fair Week)
FASHION SHOW
FRENCH
BRANDS
LOUIS VUTTON CITROEN
AXA EVIAN
DIOR REMY MARTIN
PRESIDENT COURVOISIER
HENNESSY ACTIVIA
AUCHAN MARTELL
LOREAL CANAL PLUS
MOET ET CHANDON AXE
CHANEL YVES ROCHER
TOTAL YVES SAINT LAURENT
SFR CARTIER
RENAULT PERRIER
MICHELIN PEUGEOT
BONDUELLE VOLVIC
.

ELF
HERMES PARIS
FISCHER BEER
VEUVE CLICQUOT
CAMUS
RICARD
CHLOE
BADIOT CACHAREL
AIRBUS DOUX
BUGATTI CHAUMET
LACOSTE NETTO

CARTE NOIRE GUERLAIN


CELINE
GIVENCHY
COINTREAU
DANONE
BREQUET
GARNIER
ROWENTA
FRENCH PERFUME
BRANDS

LANCO^ME
CHANEL
NINA RICCI
THIERRY MUGLAR
CHLOE`
FRENCH BEAUTY BRANDS

L'Oréal
CLARINS
GUERLAIN
K`ERASTASE
L`OCCITANE EN PROVENCE
YVES ROCHER
GARNIER
SEPHORA COLLECTION
FRENCH FASHION
BRANDS
DIOR
YVES SAINT LAURENT
BALMAIN
LACOSTE
ZADIG & VOLTAIRE
SE`ZANE
PRESIDENT
AXA
FRENCH BRANDS
HANDBAG
LOUIS VUITTON
GIVENCHY
LONGCHAMP
CELINE
FRENCH ALCOHOL BRANDS
WINE
BRANDY
CHAMPAGNE

FRENCH JEWELRY BRANDS


CARTIER

ALCOHOLIC BEVERAGES
BRANDS
FRENCH VEHICLES BRANDS
PEUGEOT
CITROEN
RENAULT
BUGATTI
ALPINE
VENTURI
THANKING
YOU

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