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James Joyce (1882-1941)

James Joyce (1882-1941)


Joyce and Ireland

Emigrated to continental Europe in 1904

"For myself, I always write about Dublin,


because if I can get to the heart of Dublin I
can get to the heart of all the cities of the
world. In the particular is contained the
universal."
NON SERVIAM (“I will not serve”)
“My mind rejects the whole present social order and
Christianity—home, the recognised virtues, classes
of life and religious doctrines. ... Six years ago I left
the Catholic church, hating it most fervently. ... Now
I make open war upon it by what I write and say
and do.” (James Joyce)

“I will no longer serve that in which I no longer


believe, whether it call itself my home, my
fatherland, or my church.” (Stephen Dedalus)
Dubliners, 1914

“Narrating the nation”

Written when Irish (cultural) nationalism was at


its peak
Joyce to his publisher, faced with censorship:

• “I seriously believe that you will retard the


course of civilization in Ireland by preventing
the Irish people from having one good look in
my nicely polished looking-glass”

• Dubliners as “a chapter of the moral history of


my country”
“Dear, dirty, Dublin”

“It is not my fault that the odour of ashpits and


old weeds and offal hangs around my stories.”

“I am nauseated by their [nationalist] lying drivel


about pure men and pure women and
spiritual love forever: blatant lying in the face
of truth.”
“The Dead”
The feast of Epiphany, January 6th
NARRATIVE STYLE
How does Joyce choose to narrate this story,
and why?

• The story?
• Narrative voice?
• Narrative strategies and techniques?
• Epiphany?
• Symbols?
EPIPHANY
• “a moment of insight”, or “a point where
hitherto disparate observations... rearrange
themselves .... shattering long held ideas
about one’s self and surroundings”

• “rearrangement of a fantasized reality into an


actual one”
“The Lass of Aughrim”
Jon Huston, “The Dead”, 1987

https://
www.youtube.com/watch?v=Rkos62UPwVk
Listen to Mary Jane “playing her Academy piece,
full of runs and difficult passages”
(19:30:30)

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