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    Cuts in Editing

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    api-698666824
    Cutting on action involves transitioning between shots as something dynamic is occurring, such as cutting from a backflip in mid-air to something dropping. A cutaway cuts to an unrelated scene elsewhere to highlight a difference. A crosscut shows two simultaneous events in different locations, like a phone call. A jump cut drastically transitions to a different point in time. A match cut connects two similar images, like looking at a globe and then space. A smash cut abruptly changes from an intense scene to a quiet one. An invisible cut hides the transition between dark areas. An L-cut carries audio from one scene into the next, while a J-cut uses subsequent audio with current video.

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    Cuts in Editing

    Uploaded by

    api-698666824
    18 views29 pages
    Cutting on action involves transitioning between shots as something dynamic is occurring, such as cutting from a backflip in mid-air to something dropping. A cutaway cuts to an unrelated scene elsewhere to highlight a difference. A crosscut shows two simultaneous events in different locations, like a phone call. A jump cut drastically transitions to a different point in time. A match cut connects two similar images, like looking at a globe and then space. A smash cut abruptly changes from an intense scene to a quiet one. An invisible cut hides the transition between dark areas. An L-cut carries audio from one scene into the next, while a J-cut uses subsequent audio with current video.

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    Cutting on action involves transitioning between shots as something dynamic is occurring, such as cutting from a backflip in mid-air to something dropping. A cutaway cuts to an unrelated scene elsewhere to highlight a difference. A crosscut shows two simultaneous events in different locations, like a phone call. A jump cut drastically transitions to a different point in time. A match cut connects two similar images, like looking at a globe and then space. A smash cut abruptly changes from an intense scene to a quiet one. An invisible cut hides the transition between dark areas. An L-cut carries audio from one scene into the next, while a J-cut uses subsequent audio with current video.

    Copyright:

    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pptx, pdf, or txt
    18 views29 pages

    Cuts in Editing

    Uploaded by

    api-698666824
    Cutting on action involves transitioning between shots as something dynamic is occurring, such as cutting from a backflip in mid-air to something dropping. A cutaway cuts to an unrelated scene elsewhere to highlight a difference. A crosscut shows two simultaneous events in different locations, like a phone call. A jump cut drastically transitions to a different point in time. A match cut connects two similar images, like looking at a globe and then space. A smash cut abruptly changes from an intense scene to a quiet one. An invisible cut hides the transition between dark areas. An L-cut carries audio from one scene into the next, while a J-cut uses subsequent audio with current video.

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    of 29

    CUTS IN

    EDITING
    Plan and Create the Following
    Use the slides in the powerpoint
    WATCH THE https://www.youtu
    VIDEO be.com/watch?v=
    OAH0MoAv2CI
    DEMONSTR  Cutting on action just means right as someone is doing
    something you cut too another shot or scene, it could be
    ATE anything from someone doing a backflip and as there
    hurtling through the air toward the floor you cut it to
    someone dropping something it's usually a math cut as
    CUTTING well, but it could also be someone moving there hand
    and as they pass there hand by the camera you cut to a
    ON ACTION different shot or scene.
    MIND MAP
    OF IDEAS TO TRY
    STORYBOARD
    A cut away is when you
    cut from one thing too
    often time an unrelated

    CUT AWAY thing that’s happening


    elsewhere- used to
    heighten the difference
    between these two
    characters or actions.
    MIND MAP People shouting

    OF IDEAS TO TRY
    cut too a silent
    room
    STORYBOARD
    Is when they show
    two things that are
    happening at the
    CROSS CUT same time but in
    different places-
    used in phone calls
    or
    MIND MAP
    OF IDEAS TO TRY
    Mean girls
    phone call
    scene

    Someone rushing
    too get
    somewhere and
    the thing
    happening
    STORYBOARD
    a jump cut is when
    you cut too a
    JUMP CUT different point in
    the story that could
    be mind but often
    times drastic
    MIND MAP
    OF IDEAS TO TRY
    STORYBOARD
    A match cut is when
    you cut from one thing
    too something that
    MATCH CUT looks similar for
    example someone
    looking at a globe cuts
    too someone in space
    looking at the earth
    MIND MAP
    OF IDEAS TO TRY
    STORYBOARD
    A smash cut is when you
    cut from one thing often
    times a violent/ loud
    SMASH CUT or suspenseful scene too a
    quiet scene- this again is
    used to show the
    difference between a
    scene or action
    MIND MAP
    OF IDEAS TO TRY
    STORYBOARD
    An invisible cut is
    where you cut something,

    INVISIBLE
    but it doesn’t look like a
    cut- for example if you
    were showing one person

    CUT then went behind


    something dark then cut to
    something else dark and
    come out of a different
    scene
    MIND MAP
    OF IDEAS TO TRY
    STORYBOARD
    An L cut is where
    L - CUT the audio from a
    scene goes into the
    next scene
    MIND MAP
    OF IDEAS TO TRY
    STORYBOARD
    A j-cut is slightly
    different than an l-cut
    in the way of a j-cut
    J - CUT is where you take the
    sound from the next
    clip and put it with
    the current clips
    visuals
    MIND MAP
    OF IDEAS TO TRY
    STORYBOARD

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