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  • Lecture 3 - Ad - Neo - Classicisme - 07 - 10 - 20

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    Juan Pablo Espínola
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    This document provides an overview of Neoclassicism in art from the mid-18th century to early 19th century. It highlights key artists and works that exemplified Neoclassical ideals including a return to simplicity, order, and classical ideals of balance, proportion and restraint. Influential figures promoted Greek aesthetics and antiquities as the highest forms of art. Neoclassicism became the dominant style during the French Revolution as artists used classical references to promote Republican ideals of virtue and morality. The movement spread through painting, sculpture, architecture and beyond.

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    LECTURE 3_AD_NEO_CLASSICISME_07_10_20

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    This document provides an overview of Neoclassicism in art from the mid-18th century to early 19th century. It highlights key artists and works that exemplified Neoclassical ideals including a return to simplicity, order, and classical ideals of balance, proportion and restraint. Influential figures promoted Greek aesthetics and antiquities as the highest forms of art. Neoclassicism became the dominant style during the French Revolution as artists used classical references to promote Republican ideals of virtue and morality. The movement spread through painting, sculpture, architecture and beyond.

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    9 views36 pages

    Lecture 3 - Ad - Neo - Classicisme - 07 - 10 - 20

    Uploaded by

    Juan Pablo Espínola
    This document provides an overview of Neoclassicism in art from the mid-18th century to early 19th century. It highlights key artists and works that exemplified Neoclassical ideals including a return to simplicity, order, and classical ideals of balance, proportion and restraint. Influential figures promoted Greek aesthetics and antiquities as the highest forms of art. Neoclassicism became the dominant style during the French Revolution as artists used classical references to promote Republican ideals of virtue and morality. The movement spread through painting, sculpture, architecture and beyond.

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    of 36

    Lecture 3: NEOCLASSICISM

    Giovanni Paolo Panini, Roma Antica, 1755


    Rococo

    François Boucher Maurice Quentin de la Tour


    The Toilet of Venus, 1751 Madame de Pompadour, 1752-55
    Baroque: History Painting

    3
    Nicolas Poussin, The Adoration of the Golden Calf, 1633-34
    Landscape Painting and Vedute

    Claude Lorrain
    Preparatory drawing, 17th century
    Claude Lorrain, Landscape with Nymph and Satyr, 1641
    4
    5
    Nicolas Poussin, The Death of Germanicus, 1627
    Discoveries of Pompeii (1748) and Herculaneum (1738)

    Anonymus engraving
    Giovanni Battista Piranesi, Isis Temple at Pompeii, 1720-78
    Excavations in Pompeii
    7
    Giovanni Batista Piranesi, Vedute di Roma, 1750-60
    The Grand Tour > tourism

    Anoniem, British in Rome, 2nd half of the 18th century

    8
    Pompeo Batoni, Count Kirill Razumovsky, ca. 1765
    Antiquomania

    Fresco with Cupid seller


    Villa di Arianna, Stabiae (near Pompeii), ca. 1st century AD Jacques Firmin Beauvarlat after Joseph-Marie Vien
    Cupid Seller, 1778 9
    Johann Joachim Winckelmann
    edle Einfalt und stille Größe

     Importance of Classic Greek aesthetics


     The soul as instrument for art
     Art embraces morality
     At needs to reflect truth

    Anton von Maron


    Johann Joachim 10
    Laocoon Group, ca. 40-20 BC
    Winckelmann, 1768
    Influential writings

    Thoughts on the Imitation of History of Antique Art


    Greek Works in Part I & II, 1764
    Painting and Sculpture, 1754 11
    Early forms of Neoclassicism

    Anton Raphael Mengs, Parnassus (preparatory painting


    For the celng of the Villa Albani, Rome) , 1761

    Apollo Belvedère, Rome, Vatican


    12
    Roman copy of a Greek bronze original, ca. 330-320 BC
    John Flaxman, Apotheose of Homer, 1780
    Jasperware for Wedgwood

    John Flaxman, The Fury of Athamas, 1790-94


    13
    Angelica Kauffman Angelica Kauffman, The Sorrow Telemachus, 1783
    Sir Joshua Reynolds, 1767 14
    Age of Enlightment translated in art

    detail
    15
    Joseph Wright of Derby, An Experiment on a Bird in the Air-Pump, 1768
    Benjamin West, The Death of General Wolfe, 1770

    detail 16
    Encyclopédie: Dictionnaire raisonné des sciences, des arts
    et des métiers par une société de gens de lettres, 1751-72

    17
    Early art critique:
    Etienne La Font de Saint-Yenne Directeur général des Bâtiments du Roi

    1747 1753 Louis Tocqué By degree of the King:


    Le Norman de Tournehem First museum for Painting
    1750-52 Open to the public, 1750
    Directeur général Église Sainte Geneviève: Panthéon

    Alexandre Roslin Jacques Germain Soufflot


    19
    Marquis of Marigny, 1761 Sainte Geneviève Church, Paris, 1758-89
    Neoclassic architecture designs

    Étienne-Louis Boullée
    Design for the Congress, 2nd half of the 18th century

    Étienne-Louis Boullé
    Design for the Bibliothèque Nationale
    Paris, 2nd half of the 18th century

    Karl Friedrich Schinkel


    20
    Design for the Altes Museum, Berlin, 1830
    Noël Hallé, Hercules and Omphalos (The Dangers of Love), 1759

    Louis Lagrenée, Ceres or Agriculture, 1770 21


    Joseph-Marie Vien Jean-Baptiste Greuze
    Marcus Aurelius Distributing Bread to the People, 1765 Septimus Severus and Caracalla, 1769 22
    Jacques-Louis David: Exemplum virtutis
    1748 – 1825

    Belisarius, 1781
    Oath of the Horatii, 1784
    23
    24
    The Death of Socrates, 1786 > drawing for the painting of 1787
    The Lictors bring to Brutus the Bodies of His Sons, 1789

    25
    detail
    After the French Revolution

    The Oath of the Tennis Court (Jeu de Paume), 1793

    26
    The Death of Marat, 1793
    The Intervention of the Sabine Women, 1799 27
    The Coronationof Napoleon, 1805-07 Napoleon Crossing the Alps, 1800
    Jean-Auguste-Dominique Ingres

    The Ambassadors of Agamemnon in the Tent of Achilles, 1801 Oedipus and the Sphinx, 1808
    Reclining nude

    La grande odalisque, 1814

    30
    The Valpinçon Bather, 1808
    The Apotheose of Homer, 1827

    31
    Napoleon on the Throne, 1806
    Jean-Baptiste Pigalle
    Voltaire Naked, 1776
    Jean-Baptiste Pigalle 32
    Mercury putting on his Wings, 1744
    Jean-Antoine Houdon Jean-Antoine Houdon
    Benjamin Franklin, 1778 Washington, 1786-96

    Jean-Antoine Houdon 33
    Voltaire Sitting, 1780-90
    detail

    Antonio Canova 34
    Icarus and Daedalus, 1777-79
    Bertel
    Thorvaldson

    Polykleitos
    Spear Bearer, 5th century BC

    Jason with the Cupid 35


    Golden Fleece, 1803 1814
    Forever Free, 1868 Old Arrowmaker, 1872

    Anonymuus, Edmonia Lewis, ca. 1870 36

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