Tackling the ‘biggies’ !

1F – Summary Task
2D – Writer’s Effect
3 – Extended Writing
Summary Task
1F
Paper:
Let’s read…!
Let’s read…!
The Question…
Annotating (do this, plz!)

Scheduling can
1 intimidate new students

1 Beginners watched by
more advanced students

1 Watched/unfairly
critiqued
 Annotating (do this, plz!)
2 2
Oversubscribed dance
classes = little
3 personalised help
3
All students need a
chance to shine
4
4
Avoid drawing
comparisons

5 Parents can bring a

sense of unhealthy
competitiveness

Avoid misleading
information
The Response
 9 ideas / 130 words

Firstly, one reason why some students may be hesitant to attend dance classes is due to the
way studios schedule their classes, often resulting in beginners feeling self-conscious and
unfairly critiqued by more experienced dancers awaiting their session. Additionally,
oversubscribed dance classes can leave some students feeling like they are not receiving
personalised attention to improve their skills. Secondly, it is important to give all students,
regardless of their ability, a chance to showcase their talent in the front row, without feeling
inadequate compared to stronger dancers. Moreover, new students can also be discouraged
by drawing comparisons with talented younger students or allowing competitive parents into
the class. Lastly, it's crucial to ensure that the website accurately reflects what the dance
class offers to avoid misinforming potential students.
Writer’s Effect
2D
Paper: Oct/Nov 21 (0500/12)
Let’s read…!
Let’s read…!
Let’s read…!
The Question…
 Annotating (do this, plz!)
Imp: Desperation / Exp: Tarmac Imp: Tarmac punishing
Exp: sharp fast Hydrate / Challenging quickly him / Brutal / Sinister
noises absorbing
water

Imp: Never-ending /
Imp: Father knows last Exp: Challenging
impossible
Exp: Begging for water stretch will be painful route / Hostile
and challenging
Exp: Long bends in the road
Imp: Daunting /
Impossible to defeat

Imp: Teasing / Torturing him

Exp: Fumes irritating
to force him to give up
his nose
The Response
The overall effect of the language creates an image of the
father’s desperation for water as he struggles to drink from his
water bottle whilst trying to ride his bike at the same time.
Firstly, the writer describes that the father’s ‘bottle crackles as
[he] squeezes it’. The writer’s use of the verb ‘crackles’ refers to
the sharp fast noises created caused by the father’s tight grip on
the bottle. Additionally, it highlights the father’s desperation for
water; he is trying to squeeze as much water out as possible and
as quickly as possible in order to hydrate himself. It’s clear that
the bicycle ride is both physically and mentally exhausting for the
father. Secondly, the writer describes the ‘greedy asphalt’. The
writer’s use of imagery refers to tarmac quickly absorbing the
water as a result of the hot weather. Moreover, it suggests that
everything seems to be working against him, including the
terrain. It’s almost as if the tarmac is seeking to punish him by
greedily gobbling up all of the wasted water as a way of mocking
him and making the ride even more unbearable. Lastly, the
writer describes that the father will be ‘crying out’ for water
once he nears the end of the summit. The writer’s use of the
phrase refers to the fact that the father will be begging for water
closer to the finishing line. Furthermore, this suggests that the
father knows that the end will be a long and painful struggle and
even the slightest drop of water will be needed to give him the
power to complete the difficult bicycle race.
The overall effect of the language creates an image of the father
feeling as though the incline up the hill is becoming incredibly
difficult and that there’s little hope of reaching the top. Firstly,
the writer describes that the ‘steep road ahead meanders lazily
through the trees’. The writer’s use of imagery refers to there
being long bends in the road, rather than the route being a
straight line. Additionally, it suggests that the road seems never-
ending and is doing everything within its power to slow the
cyclists down; it’s almost as if the road is enjoying watching the
cyclists struggling to navigate the difficult terrain. Secondly, the
writer describes the ‘unforgiving gradient’. The writer’s use of
the adjective ‘unforgiving’ refers to the incline being incredibly
challenging, almost hostile. Moreover, it suggests that the incline
seems to stretch on as far as the eye can see, making the incline
seem both daunting and impossible to defeat. Lastly, the writer
describes the ‘wisps of warm exhaust fumes tickling’ the father’s
nostrils. The writer’s use of imagery refers to the fumes from the
car irritating his nose. Furthermore, it suggests that the nearby
car is only making the incline even more difficult; it’s as though
the fumes are playfully teasing him in an attempt to make the
father give up on the last stretch.
Extended
Response
3
Paper:
Let’s read…!
Let’s read…!
Let’s read…!
The Question…
Annotating (do this, plz!)

Keep things simple / don’t be too ambitious

Plan route / allow enough time to visit

different locations and take a variety of photos

New found appreciation for the beauty of our

world

World at nighttime is more intimate, quieter,

magical

Moon illuminating sky / sheer beauty

Striking silhouettes / something you don’t get

to see during the day
Annotating (do this, plz!)
Your senses come alive and notice the smallest
of details / magical

Attuned to your senses / transformative

effect / calming

Chilly weather / wrap up warm so that you are

comfortable taking photos

Practise using specialist equipment at home

Can be more challenging due to specialist

equipment / end result will be something
to treasure

Meet talented photographers / make friends /

share photos / tips / routes etc.
Annotating (do this, plz!)

Transported into a whole new world /

memories that will last a life time

Take a bag to carry all equipment in / be

organised
The Response
Wow! What an amazing turnout! It’s so wonderful to be standing in front
of so many talented photographers. We are all here for one reason: our
passion for photography! Today, I'm here to talk about nighttime
photography - something that will change your life, your craft, and the way
you see the world around you.

First of all, I know what you must all be thinking: ‘what's so special about
nighttime photography?' Well, just think about all the distractions that
you come across during the day: traffic, kids running around, crowds of
people walking around aimlessly. It can be challenging to focus, right?
That's where nighttime photography comes in. It allows you to immerse
yourself in a quieter and more intimate world where you can focus on
capturing whatever it is that catches your eye. With practice, you'll be able
to take amazing shots that you'll cherish forever. For me, the biggest draw
of nighttime photography is when the moon illuminates the sky and
surrounding buildings. The light bounces off the architecture so beautifully,
leaving you in complete awe. Plus, taking photos at night allows you to see
things you wouldn't normally see during the day, like striking silhouettes.
Nighttime photography also has a transformative effect on you, making
you more attuned to your senses and aware of even the smallest of details.
And, as you know, amazing photography is all about capturing those small
details and telling a story. Now, I don't want to discourage you, but
nighttime photography can take a little longer to get the perfect shot.
Arguably, it requires more practice and expertise and you may find yourself
having to fiddle around with your camera, particularly the lens a few times,
to ensure you get the right shot. However, with the luxury of time and
minimal distractions, the end result can be truly magical.
Now, let’s swiftly move on to the important part: how to prepare for going
out to do night-time photography. First of all, I can’t stress this enough,
guys: keep things simple, especially when you are first starting out. Don’t
overcomplicate things and don’t be too ambitious, particularly when
planning your route. You want to make sure that you have dotted all your
i’s and crossed all your t’s – little things like thinking about transport and
making sure you have ample time to take a variety of photos at different
locations. This leads me nicely onto my next point: don’t forget to pack
well in advance. It would be handy to procure a bag to hold all of your
equipment in, especially all of the lenses you will be carrying. Don’t forget
the basics as well: a torch and a mobile phone - a charged mobile phone!
Accidents can happen when you are trying to get that perfect shot at
nighttime, and you need to always think about your own safety. Before
even going out on your first nighttime jaunt to take photos, I would also
endeavor to practise using any specialist equipment you have at home –
make sure you know how to navigate all of the features on your camera.
Some of the newer models have an overwhelming amount of cool
features, so find a few spare hours, sit down, and have a play with your
camera while the sun is still up. Finally, and sorry to be a bore, don’t forget
warm clothing. It obviously can get very chilly at nighttime. You may
allocate one hour, and before you know it, you have been outside for
hours, and the temperature has dropped significantly. Wrap up warm and
take some awesome photos!
Right, so we are almost at the end of my rather loquacious speech. If you
still aren’t sold on the idea, let me finish with why I personally think night-
time photography can be such a special experience. It goes without saying
that it truly is a breathtaking experience – you are momentarily catapulted
into a whole new world where your only focus is you and your camera, and
the beauty of the natural world that seems to envelop you. I promise you
that you will find a completely new appreciation for our world and
everything that makes it so magical. There’s also something terribly
calming to the soul when out at nighttime taking photographs – your
senses come alive, and you are gifted with an experience that will stay
with you forever. You notice the slightest rustle of nearby leaves, you can
hear crickets chirping, and you can feel the breeze tickle your rosy cheeks –
you become one with nature! Now, I know for some of you, the appeal of
night-time photography is definitely the solitary element. I love it when no
one else is around; I feel completely at ease. But I have also met some
great friends and incredibly talented photographers while out at night
taking photographs. You see, no matter where you live, there will be
‘known spots’ for taking photos, and you are bound to bump into a few
other budding photographers. Say ‘hi!’, share photos and ideas, make a
new friend; it’s all part of the experience!

So, there you have it, guys! If you have any questions, feel free to hang
around at the end, and I’ll be happy to answer them.