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A Level Music Video Exam Questions
A Level Music Video Exam Questions
Component 1 Section A
Media Language
5 13-15 marks
• Excellent, consistent and accurate application of K&U of the TF to analyse the music
video.
• Analysis of music video is perceptive, detailed and likely to be informed by relevant
theories.
4 10-12 marks
• Good, accurate application of K&U of the TF to analyse the music video.
• Analysis of music video is logical and may be informed by relevant theories.
3 7-9 marks
• Satisfactory, generally accurate application of K&U of the TF to analyse the music video.
• Analysis of music video is reasonable and straightforward.
2 4-6 marks
• Basic application of K&U of the TF to analyse the music video, although this is likely to
lack clarity, relevance and accuracy
• Analysis of music video is undeveloped and there may be a tendency to simply describe
features of the video.
1 1-3 marks
• Minimal, if any, application of K&U of the TF to analyse the music video, with significant
inaccuracies, irrelevance and lack of clarity
• Analysis of music video is superficial and generalised.
0 marks
• Response not attempted or not worthy of credit
Component 1 Section A
I- Introduce the case study you have been asked to analyse, where
necessary, provide some brief product context.
This has been done purposefully to enhance the viewing experience for 2 Here, the introduction
the audience and to emphasise some of the messages contained within begins with clear
the text, presenting the music video more akin to that of a short film, definitions of some key
terms. The candidate could
challenging many music video conventions.
3 Here, the candidate makes a sophisticated point that the music video has have defined the key term
been constructed purposefully for particular effects thus demonstrating a ‘intertextuality’ in more
broader knowledge of the concept of media language. The expectation is that depth to further support
this will be backed up by the analysis of specific examples of codes from the their understanding.
music video later in the essay.
HOW HAS MEDIA LANGUAGE BEEN USED TO CONSTRUCT MEANING
AND INTERTEXTUALITY IN THE MUSIC VIDEO FOR ‘RIPTIDE’ BY VANCE
JOY? [15]
This has been done purposefully to enhance the viewing experience for
the audience and to emphasise some of the messages contained within
the text, presenting the music video more akin to that of a short film,
challenging many music video conventions.
Point Denotation [Example] Connotation [Explanation]
In the opening shot …the cinematic, long shot of …purposefully positions audiences to decode a
from the Vance Joy the white clouds in the bright clear intertextual reference to feature films as
music video for Riptide, blue sky signifies the credit blocks commonly appear on film posters
his first single and beginning of the music and in film trailers. This reinforces that the music
video released in the video / narrative acting as an video has been constructed in the style of a short
US, intertextuality has opening establishing shot. film, which creates audience interest and may
been created through Additionally, at the bottom of offer a challenge to typical music video
visual and technical this shot, a billing / credit conventions. This immediately suggests a sense of
coding. Firstly… block has been introduced. uniqueness and intrigue to a new emerging artist.
This shot… This is interesting to explore further when we look
at economical contexts and the purpose of music
videos as marketing tools for artists…
YOUR TURN! WRITE A NEW P.E.E. FOR A DIFFERENT
TECHNIQUE WHICH HAS BEEN USED IN THE VIDEO TO
CREATE
Helpful connectives andINTERTEXTUALITY.
sentence starters you could use:
Firstly Similarly In contrast However
On the other hand The effect of this choice The purpose of this choice This shows that
is is
In conclusion One might argue that This illustrates that This highlights that
Consequently The denotation is The connotation of this Therefore
feature is
5 25-30 marks
• Excellent, consistent and accurate application of K&U of the TF to analyse the unseen and set
texts.
• Analysis of how representations in the texts construct versions of reality is perceptive, detailed
and may be informed by relevant theories.
• Detailed and appropriate comparisons of ethnicity made between the texts.
• Judgements and conclusions regarding how the texts relate to relevant media contexts are
perceptive, insightful and fully supported with detailed reference to specific aspects of the texts.
4 19-24 marks
• Good, accurate application of K&U of the TF to analyse the unseen and set texts.
• Analysis of how representations in the texts construct versions of reality is logical and may be
informed by relevant theories.
• Reasonably detailed and appropriate comparisons of ethnicity made between the texts.
• Judgements and conclusions regarding how the texts relate to relevant media contexts are logical
and are supported with appropriate reference to relevant aspects of the texts.
3 13-18 marks
• Satisfactory, generally accurate application of K&U of the TF to analyse the unseen and set texts.
• Analysis of how representations in the texts construct versions of reality is reasonable and
straightforward.
• Satisfactory comparisons of ethnicity made between the texts, although there may be more
focus on one of the texts.
• Judgements and conclusions regarding how the texts relate to relevant media contexts are
straightforward and supported with some reference to relevant aspects of the texts.
COMPARE THE CHOICES THAT HAVE BEEN MADE IN THE
REPRESENTATION OF ETHNICITY IN THE FILM POSTER FOR ‘BLACK 1 This candidate includes an
PANTHER’ (2018) AND THE MUSIC VIDEO FOR ‘DREAM’, BY DIZZEE introduction which anchors
RASCAL. [30] their understanding of the
question and demonstrates
broad knowledge of the
Opening Paragraph Example:
1 concept. They avoid
Representation in the media is the way in which media texts like music jumping straight into the
videos and film posters offer the audience versions of reality and analysis of their texts;
present certain social groups in a particular way. All representations are instead their introduction
constructions. The way in which the representation is constructed is serves to place their
2 influenced by the messages and ideas that the producers of the text examples within a context.
encode / want to convey to the audience.
In the music video for Dream (2004) by Dizzee Rascal, an English hip
hop, rap and grime artist, and the film poster for the 2018 Marvel 2 Here, the candidate could
superhero film Black Panther, the representation of ethnicity is both have used the media term,
similar and contrasting in different aspects. ‘ideology’ instead of ‘ideas’
to make the response
3 more sophisticated and to
Representations have a different purpose according to the type and demonstrate media
genre of the text, the context surrounding the text and the target knowledge.
audience. For example, with regard to representations of ethnicity,
different ethnic groups are represented in different ways depending on
the specific text and its context. It is a too simple a statement to say
that all representations of ethnicity are negative as it is much more
complex than
Here,that.
3 the candidate makes a sophisticated point that representations differ
according to their context thus demonstrating a broader knowledge of the
concept. The expectation is that this will be backed up by a specific examples
from the texts later in the essay.
COMPARE THE CHOICES THAT HAVE BEEN MADE IN THE
REPRESENTATION OF ETHNICITY IN THE FILM POSTER FOR ‘BLACK
PANTHER’ (2018) AND THE MUSIC VIDEO FOR ‘DREAM’, BY DIZZEE
RASCAL. [30]
I In the music video for Dream (2004) by Dizzee Rascal, an English hip
hop, rap and grime artist, and the film poster for the 2018 Marvel
superhero film Black Panther, the representation of ethnicity is both
similar and contrasting in different aspects.
S
Representations have a different purpose according to the type and
genre of the text, the context surrounding the text and the target
audience. For example, with regard to representations of ethnicity,
different ethnic groups are represented in different ways depending on
the specific text and its context. It is a too simple a statement to say
that all representations of ethnicity are negative as it is much more
complex than that.
Point Denotation [Example] Connotation [Explanation]
In the music video for Dream by Dizzee The music video is constructed to show …encourages young people (and typical
Rascal, ethnic representations have a positive story of a rapper who fans of the rap genre) to work hard and
been constructed to reinforce triumphs over adversity, gets a record ‘go far’, by showing Dizzee overcoming
significant differences between deal and becomes a success. This is his adolescent and criminal lifestyle in
different social groups. To some extent, reinforced in the video by showing a favour of working hard for a record
representations of Black youth culture juxtaposition between Dizzee as a deal. This may appeal to an audience as
have been represented in a negative, young black rapper to the older white a refreshing change from more
stereotypical way. However, the video female who endorses the positive stereotypically negative
does also attempt to subvert negative messages in the video through representations of Black youths in the
ethnic representations through the approving facial expressions as Dizzee media and has been mediated to
construction of the narrative in the starts to change his lifestyle. This… represent Dizzee positively and as a
video. role model from a minority ethnic
group.