Professional Documents
Culture Documents
Unit2 Copyright Slot5 Session 13-14-15
Unit2 Copyright Slot5 Session 13-14-15
Unit2 Copyright Slot5 Session 13-14-15
LAW
COPYRIGHT (part 3)
Infringment and exception
Objective
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Main content
1. Infringement
2. Primary infringement
3. Secondary infringement
4. Exception to copyright infringement
5. Discussion: When don’t you need permission to use an existing material?
6. “How to” tips
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1. Infringement
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1. Infringement
•if the copier passes himself off as the author of the work; or if your work is
subjected to derogatory treatment or is cut or modified in a way that would be
prejudicial to your honor or reputation
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1. Infringement
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1. Infringement
Copying without the copyright owne - Deal with the infringing copies
r’s permission commercially;
-Copying entire copyright work - Know or have reason to know that
-Copying in a different medium the copies taken without
-Copying a substantial part of a permission
copyright work
-Copying by adaption
-Public use; and so on
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1. Infringement
Case study: Taylor Corporation v. Four Seasons Greetings, LLC, No. 04-1088
(4th Cir. 2004):
Facts: While employed by Four Seasons, Stockmal, Shelton, and Brunettin (the ex-
employees of Creative Card which purchased by Taylor) created six card designs
Taylor contends are similar to six card designs the artists previously created for
Creative Card. Taylor sued Four Seasons for infringement of copyright in six card
design.
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2. Primary infringement
General rules
•If someone copies without the copyright owner’s permission, that person is
liable to legal action unless the copying falls within a variety of exceptions
•No excuse
•However, there must have been an act of copying. On the other hand, if there
is a similarity and access to the original was possible, one may infer that the
material has been copied
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2. Primary infringement
benefiting from use of the copyright work by saving oneself time and effort
instead of producing an independent version
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2. Primary infringement
Copying by adaptation
adapt a copyright work
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2. Primary infringment
transmit it by cable
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3. Secondary infringement
•For example, books are often sold in different countries at different prices;
import into the UK of low-priced books would be objectionable to a company
selling books here at a higher price.
•The customs and excise authorities can be approached the copied goods and a
request made to treat the infringing copies as prohibited goods
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3. Secondary infringement
Business use
•The copyright owner can sue for infringement if a copy is sold or hired, or
offered for sale or hire
•The same applies if the article is distributed either internally within a business
or outside the company.
•Doing anything which has a professional or commercial link can be an
infringing use
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3. Secondary infringement
Public performances
•‘public’ can mean an audience of parents at a school, or the general public in
a village hall, and can include members and guests in a club
•Showing a TV broadcast, cable programme, film or playing music to the
public requires permission
•There is one exception, which is playing sound recordings in a club, but the
definition of a club in this context is limited
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4. Exception to copyright infringement: Fair dealing
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5. Discussion:
When don't you need permission to use an existing
material?
• How long is copyright protection?
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5. Discussion: When don't you need permission to use an
existing material?
• The work which is in, or has fallen into, the public domain; and
• The content or material which is covered by the concept of 'fair use' or 'fair
dealing' or by a limitation or exception specifically included in the national
copyright law.
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5. Discussion: When don't you need permission to use an
existing material?
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5. Discussion: When don't you need permission to use an
existing material?
Special cases: A work in the public domain
Absence of a copyright notice does not imply that a work is in the public
domain, even if the work is available on a website.
If no one has copyright in a work, that work belongs to the public domain
and anyone may freely use it for any purpose whatsoever.
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5. Discussion: When don't you need permission to use an
existing material?
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6. “How to” tips
•ensure that staff are familiar with the scope of these permissions, licenses or
assignments;
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6. “How to” tips
Reduce the risk of infringement (cont.d)
•mark any apparatus that could be used to infringe copyright (such as photocopiers,
video recorders, computers, CD and DVD burners) with a clear notice that the
apparatus must not be used to infringe copyright;
•prohibit your staff explicitly from downloading music, video films, etc. from the
Internet on office computers;
•……
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6. “How to” tips
Find out whether a work is still protected
•In accordance with the author's moral rights, his or her name will normally be
indicated in connection with the work, and the year he or she died maybe
available in bibliographic works or public registers.
•Consult the copyright register of your country's copyright office (if any) to
check for any relevant information
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6. “How to” tips
Find out whether a work is still protected (cont.d)
•Remember also that there may be several copyrights in one product, and
these rights may have different owners, and with different periods of
protection (overlapping copyright protection)
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6. “How to” tips
Using works published on the internet
•Works published on the Internet are protected by copyright in the same way
as works published by any other means.
•Numerous websites contain text, music, photographs, multimedia products,
audiovisual productions or drawings. These works are protected, provided they
meet the normal copyright requirements.
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6. “How to” tips
Using works published on the internet
•Often, you will find copyright information or terms and conditions of use on
the home page of the website. In the absence of any clear statement or notice,
you should seek prior written or formal permission to download or copy the
material, if your intended use is covered by the protection.
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Summary
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Thank you for your attention
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