Shakespeare's

Running scene 13
King LEAR Act 4 scene 2
 Study focus

Character development of Albany. He

becomes a figure of justice. Does this
scene create hope for the audience?

Unnatural behaviour of Goneril as a

wife and a daughter.

Let’s turn to A4S2 and read together

 In this scene we discover that Albany
ORIGINAL TEXT MODERN TEXT
Enter GONERIL and EDMUND the bastard
has distanced himself from Goneril and
GONERIL enters with EDMUND.
GONERIL her ‘anti-Lear’ party. She describes him
GONERIL
Welcome, my lord. I marvel our mild husband as her ‘mild husband’,
Welcome,a term
my lord.she uses my bland husband didn’t meet me on the way
I’m surprised
Not met us on the way. here.
Enter OSWALD in the pejorative sense:
OSWALDshe view him as
enters.
Now, where’s your master? weak and feeble-spirited.
Where’s yourHer use of
master?
OSWALD the royal pronoun ‘our’ signifies her
Madam, within—but never man so changed. Goneril’s language becomes loaded
I told him of the army that was landed. change in status andOSWALDpower.
5He smiled at it. I told him you were coming. with sexual
He’s inside, ma'am, but he has changed dramatically since youimplications.
last saw him. She tells
When I told him that the invading army has landed, he just smiled at me. When I
His answer was “The worse.” Of Gloucester’s treachery
told him you were on your way, he replied, “TooEdmund he Iwill
bad.” When hear
told him about‘A mistress’s
And of the loyal service of his son,
Oswald describes
Gloucester’sAlbany’s his son Edmund’s command’,
betrayal andmoral thatme
loyal service, he called heanmay
idiot hear of her
When I informed him, then he called me “sot,”
and said I had it all wrong. He was delighted by the bad news and disgusted by
And told me I had turned the wrong side out.
10What most he should dislike seems pleasant to him;
rejection oftheGoneril.
good news.Goneril shows desire as a lover. ‘Wear this is an
What like, offensive. no regret at the end of her marriage implicit stage direction suggesting
GONERIL and quickly switches her affections to she laces a chain around his neck.
(to EDMUND)
Then shall you go no further. Edmund. She speaks scornfully of This act of intimacy is symbolic of her
GONERIL
Albany and(toaccuses him
Thenof being with me.giving
too herself over to him or laying
It is the cowish terror of his spirit
EDMUND) don’t come in He’s a coward and can’t commit
That dares not undertake. He’ll not feel wrongs
himself to doing anything risky. He chooses not to be insulted rather than
15Which tie him to an answer. Our wishes on the way afraid to retaliate. Thewho
challenge those theme of But what weclaim
offend him.
to him (keeping with her
talked about with longing on the
May prove effects. Back, Edmund, to my brother.
inversion isway
evident
may soonwhen she
come true. , go backdominant
speaks
Edmund behaviour).
to see my brother-in-law. Gather After
his she kisses
Hasten his musters and conduct his powers.
soldiers and organize his troops. I plan to take charge of my household. From
I must change names at home, and give the distaff of ‘changingnownames
on I will at
wearhome’
the pants,and
and my husbandhim can she shifts
play the to the
housewife. pronoun ‘thou’
We can
Into my husband’s hands. This trusty servant
20Shall pass between us. Ere long you are like to hear— giving Albany
trustaOswald
distaff which
to carry wasbetween us. acknowledging
messages If you act boldly, you willher
me as your true mistress. Take this as a token of my esteem. Don’t speak. Lean
intimacy
soon obey with
If you dare venture in your own behalf—
A mistress’s command. Wear this. Spare speech.
used for spinning
down. Thiswool. Albany
kiss should hasyou. (she Edmund.
encourage kisses EDMUND ‘kiss’ ‘conceive’
) I hope you ‘women’s
understand me. Goodbye, and good luck.
Decline your head. This kiss, if it durst speak, become womanish and she sees that services’ and ‘bed’ all suggest she is
Would stretch thy spirits up into the air.
25(kisses EDMUND) Conceive, and fare thee well. she must take control. enamoured by him.
ORIGINAL TEXT MODERN TEXT
EDMUND EDMUND
Yours in the ranks of death. I’m at your service until death.
GONERIL GONERIL
My most dear Gloucester! My dear Gloucester!
Exit EDMUND EDMUND exits.
Oh, the difference of man and man!
What a man!—especially compared to my husband. Edmund, you deserve me to be your
To thee a woman’s services are due.
woman. There’s a fool sharing my bed now.
30My fool usurps my body.
OSWALD OSWALD
Madam, here comes my lord. Ma'am, my master’s coming.
Exit OSWALD He exits.
Enter ALBANY ALBANY enters.
GONERIL GONERIL
I have been worth the whistle. So you finally find me worthy of your attentions.
ALBANY
O Goneril,
You are not worth the dust which the rude wind ALBANY
Blows in your face. I fear your disposition. Goneril, you aren’t worth the dust the wind blows in your face. I don’t trust you. You can’t
That nature, which contemns its origin trust anyone who abuses her own father, her flesh and blood. A woman who breaks off
35Cannot be bordered certain in itself. relations with her bloodline is like a branch that tries to break away from the tree. She will
She that herself will sliver and disbranch wither and come to a bad end.
From her material sap perforce must wither
And come to deadly use.
GONERIL GONERIL
No more. The text is foolish. Oh, shut up. Your words are idiotic.

ALBANY
Wisdom and goodness to the vile seem vile.
40Filths savor but themselves. What have you done?
Tigers, not daughters, what have you performed?
A father, and a gracious agèd man,
Whose reverence even the head-lugged bear would lick,
Most barbarous, most degenerate, have you madded.
ALBANY
Bad people can’t appreciate wisdom or goodness. They only like things as bad as themselves.
What have you two sisters done? You’re tigers, not daughters. Barbaric degenerates, you’ve
driven insane a kindly old father, whom even an angry bear would treat gent-ly. Could my
good brother-in-law—a man to whom the
45Could my good brother suffer you to do it—
A man, a prince by him so benefited?
If that the heavens do not their visible spirits king gave half his kingdom—have allowed you to do it? If the heavens don’t punish these
Send quickly down to tame these vile offenses, crimes immediately, the end will come. Human beings will become cannibals, like
It will come: ravenous sea fishes.
50Humanity must perforce prey on itself
Like monsters of the deep.
GONERIL
Milk-livered man
That bear’st a cheek for blows, a head for wrongs— GONERIL
Who hast not in thy brows an eye discerning Coward! You take everything lying down, you just turn the other cheek—you can’t even
Thine honor from thy suffering; that not know’st see the difference between being honored and being taken advantage of! If we
55Fools do those villains pity who are punished punish criminals before they have a chance to commit their crimes, you’re a fool to pity
Ere they have done their mischief. Where’s thy drum? them. Why aren’t you preparing for war? The French have invaded our peaceful country.
France spreads his banners in our noiseless land, Your territory is at risk, and all you can do is sit around like a preachy fool and whine,
With plumèd helm thy state begins to threat, “Ah, why is he doing that?”
Whiles thou, a moral fool, sits still and cries,
60“Alack, why does he so?”
ALBANY
ALBANY
See thyself, devil!
Look at yourself, devilish shrew! A woman deformed by hatred and rage is more
Proper deformity shows not in the fiend
horrifying than the devil!—at least the devil is supposed to look that way.
So horrid as in woman.
GONERIL GONERIL
O vain fool! You useless fool!
ALBANY
Thou changèd and self-covered thing, for shame!
ALBANY
Bemonster not thy feature. Were ’t my fitness
Shame on you, warped hag! Your true demonic features are distorting your body. If I let
65To let these hands obey my blood,
myself do what I yearn to, I’d rip the flesh off your bones. But I won’t attack a woman,
They are apt enough to dislocate and tear
even if she is a demon.
Thy flesh and bones. Howe'er thou art a fiend,
A woman’s shape doth shield thee.
GONERIL GONERIL
Marry, your manhood, mew! I sneeze on your manhood. Ha!
Enter FIRST MESSENGER The FIRST MESSENGER enters.
ORIGINAL TEXT MODERN TEXT
ALBANY ALBANY
70What news? What news do you bring?
FIRST MESSENGER
FIRST MESSENGER
O my good lord, the Duke of Cornwall’s dead,
Oh my lord, the Duke of Cornwall’s dead. He was killed by his servant as he about to
Slain by his servant, going to put out
gouge out Glouces-ter’s other eye.
The other eye of Gloucester.
ALBANY ALBANY
Gloucester’s eyes? Gloucester’s eyes?
FIRST MESSENGER
A servant that he bred, thrilled with remorse,
FIRST MESSENGER
75Opposed against the act, bending his sword
A servant Gloucester had raised in his house, full of compunction, opposed the blinding
To his great master; who thereat enraged
and turned his sword on the Duke of Cornwall. Enraged, Cornwall attacked and killed the
Flew on him and amongst them felled him dead—
servant, but not without receiving his own wound, of which he later died.
But not without that harmful stroke, which since
Hath plucked him after.
ALBANY
This shows you are above, ALBANY
80You justicers, that these our nether crimes There’s justice in heaven after all! That these crimes are punished so quickly is proof. But
So speedily can venge! But oh, poor Gloucester— oh, poor Glou-cester! Did he lose his other eye?
Lost he his other eye?
FIRST MESSENGER
FIRST MESSENGER
Both, both, my lord.—
He lost both, my lord.—Ma'am, this letter is from your sister, and needs an immediate
This letter, madam, craves a speedy answer.
answer.
'Tis from your sister.

GONERIL
GONERIL
85(aside)
(to herself) In a way I’m glad to hear that Cornwall is dead. But on the other hand, Edmund
One way I like this well.
is traveling with Regan, who is now a widow. If something happens between them on the
But being widow, and my Gloucester with her,
road, it would shatter my hopes of having Edmund for myself and escaping this hateful
May all the building in my fancy pluck
life. Still, there are benefits to having Cornwall out of the way.—I’ll read this letter and
Upon my hateful life. Another way
answer it.
The news is not so tart.—I’ll read and answer.

Exit GONERIL She exits

ORIGINAL TEXT MODERN TEXT
ALBANY
ALBANY
Where was Gloucester’s son Edmund when they gouged his eyes
90Where was his son when they did take his eyes?
out?
FIRST MESSENGER FIRST MESSENGER
Come with my lady hither. He was on his way here with your wife.
ALBANY ALBANY
He is not here. But he isn’t here now.
FIRST MESSENGER FIRST MESSENGER
No, my good lord. I met him back again. No, my lord. I met him going back again.
ALBANY ALBANY
Knows he the wickedness? Does he know about this wicked crime?
FIRST MESSENGER FIRST MESSENGER
Ay, my good lord. 'Twas he informed against him, Yes, my lord. He was the one who denounced his father. He then
95And quit the house on purpose that their punishment left the house specifically so that the punishment might be carried
Might have the freer course. out without concern for their father-son bond.
ALBANY
ALBANY
Gloucester, I live
Gloucester, I’ll thank you forever for the love you’ve shown the
To thank thee for the love thou showed’st the king,
king. I’ll get revenge for what they did to your eyes.—Come here,
And to revenge thine eyes.—Come hither, friend.
my friend. What else you do know?
Tell me what more thou know’st.
Exeunt They exit.
Albany becomes a figure
of justice
• Look closely at Albany’s role in this scene. The change
in Albany suggests that the power of their evil
characters will no longer go unchecked. He becomes a
figure of justice and morality, voicing the audience’s
disgust. He tells Goneril bluntly that she is worthless:
‘You are not worth the dust which the rude wind
blows in your face lines 30-31.
• He says that her actions will inevitably lead to her own
destruction. When he hears at the end of the scene of
Gloucester's blinding, he promises to take revenge,
line 96.
AO1 Character
development
• While some characters like Oswald
are static, others develop
considerably through the play.
• When writing about Albany, avoid
simplistic statements about his
behaviour. Instead you should
trace how he moves from an
ineffectual figure of Act 1 scene 4
to the angry moralist of Act 4
Scene 2 to then a decisive
commander in Act 5 Scene 3.
Connections Ao4
 Examine lines 30-50- select two quotations that show Albany’s
disgust for Goneril and her unnatural treatment of her father.

ALBANY
O Goneril, ALBANY
You are not worth the dust which the rude wind Goneril, you aren’t worth the dust the wind blows in
Blows in your face. I fear your disposition. your face. I don’t trust you. You can’t trust anyone
That nature, which contemns its origin who abuses her own father, her flesh and blood. A
35Cannot be bordered certain in itself. woman who breaks off relations with her bloodline is
She that herself will sliver and disbranch like a branch that tries to break away from the tree. Could my good brother
From her material sap perforce must wither She will wither and come to a bad end.
And come to deadly use. suffer you to do it—
A man, a prince by him so king gave half his kingdom
benefited? —have allowed you to do it?
GONERIL GONERIL If that the heavens do not If the heavens don’t punish
No more. The text is foolish. Oh, shut up. Your words are idiotic. their visible spirits these crimes immediately,
Send quickly down to tame the end will come. Human
these vile offenses, beings will become
ALBANY ALBANY
Wisdom and goodness to the vile seem vile. Bad people can’t appreciate wisdom or goodness.
It will come: cannibals, like ravenous sea
40Filths savor but themselves. What have you done? They only like things as bad as themselves. What 50Humanity must perforce fishes
Tigers, not daughters, what have you performed? have you two sisters done? You’re tigers, not prey on itself
A father, and a gracious agèd man, daughters. Barbaric degenerates, you’ve driven Like monsters of the deep.
Whose reverence even the head-lugged bear would insane a kindly old father, whom even an angry bear
lick, would treat gent-ly. Could my good brother-in-law—
Most barbarous, most degenerate, have you madded. a man to whom the

Comment on AO2 methods

Discuss Albany’s reaction to the news of the death of Cornwall.
How does it contrast with Gloucester’s views in the previous
scene?

ALBANY GLOUCESTER
GLOUCESTER
This shows He has some reason, else he
ALBANY Well, he can’t be completely
you are above, could not beg.
There’s justice in crazy, or he wouldn’t be able to
80You justicers, that I' th' last night’s storm I such a
heaven after all! That beg. Last night during the storm I
these our nether fellow saw,
these crimes are saw a man who was both poor
crimes Which made me think a man a
punished so quickly and crazy. He made me think that
So speedily can worm. My son
is proof. But oh, poor men are as weak and insignificant
venge! But oh, poor Came then into my mind, and
Glou-cester! Did he as worms. I was reminded of my
Gloucester— yet my mind
lose his other eye? son, even though I despised my
Lost he his other 40Was then scarce friends with
son at that time. Now I know
eye? him. I have heard more since.
better. The gods play around with
As flies to wanton boys are we
us as cruelly as schoolboys who
to th' gods.
pull the wings off flies.
They kill us for their sport.
Goneril schemes to
take charge
• Goneril dismisses Albany as a coward and a
weakling. She continues to assume authority, urging
her husband to repel the French invasion while
secretly wooing Edmund, who she desires to be her
sexual and political partner.
• Since this would not be possible if she was still
married to Albany, there is an implication- that
becomes clearer later in the play- that the pair will
murder Albany.
KEY QUOTATION: Evil is self destructive
• ‘She that herself will sliver and disbranch from her material sap,
perforce must wither and come to deadly use’ lines 34-36.
• Albany tells this to Goneril. He is telling her that if she behaves
unnaturally she will unleash forces that will destroy her.
• In overthrowing her father, he argues, she is like a branch that rips
itself away from a tree only to become dead wood, fit merely for the
fire.