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Meter in Poetry
Meter in Poetry
Meter in Poetry
• Meter refers to the rhythm of the poem that is used to keep pace.
• A poem can use a single meter throughout, or it can have different meters
in different places. Meter can be analyzed on the level of a whole poem, a
stanza, a line, or even a single foot.
Meter consists of two components:
• Iambs (unstressed-stressed)
• Trochee (stressed-unstressed)
• Spondee (stressed-stressed)
• Pyrrhic (unstressed-unstressed)
EXAMPLES
• SPONDAIC (/ /): Break, break, break/ On thy cold gray stones, O Sea!
• Meters with three-syllable feet are
• DACTYLIC (/ x x): This is the forest primeval, the murmuring pines and
the hemlock (a trochee replaces the final dactyl)
• Here are some more serious examples of the various meters.
• iambic pentameter (5 iambs, 10 syllables)
• That time | of year | thou mayst | in me | behold
• trochaic tetrameter (4 trochees, 8 syllables)
• Tell me | not in | mournful | numbers
• anapestic trimeter (3 anapests, 9 syllables)
• And the sound | of a voice | that is still
• dactylic hexameter (6 dactyls, 17 syllables; a trochee replaces the
last dactyl)
• This is the | forest pri | meval, the | murmuring | pine and the
| hemlocks
The most common number of feet found in lines of poetry are:
• Many poems include meter, but not all do. In fact, poetry can be broken
down into three types, based on whether it includes meter and rhyme. The
three main types of poetry are:
• Formal verse: Poetry that has both a strict meter and rhyme scheme.
• Blank verse: Poetry that has a strict meter, but doesn't have a rhyme
scheme.
• Free verse: Poetry that has neither any strict meter or rhyme scheme.
Free verse is a popular style of modern poetry, and as its name suggests there is a
fair amount of freedom when it comes to writing a poem like this. Free verse can
rhyme or not, it can have as many lines or stanzas as the poet wants, and it can be
about anything you like! So, while free verse may sound simple enough, the lack
of rules makes this form of poetry tricky to master!
Kinds of poetry
1. Subjective poetry
Which includes elegy, ode, sonnet
2. Objective poetry
Which includes ballad, epic, idyll
Subjective/ Lyric Poetry
• The term lyric poetry houses a broad category of poetry that centers around
feelings and emotions. These poems are often short and expressive and tend to
have a songlike quality to them. They can use rhyming verse, or free form. Lyric
poetry differs from epic and narrative poetry as the focus is on a feeling rather
than a story. Emily Dickinson’s The Heart Asks Pleasure First and her Because I
could not stop for Death are both strong examples of lyric poetry.
1. Sonnet
• This very old form of poetry was made famous by none other than William Shakespeare,
but the sonnet actually originated in 13th century Italy where it was perfected by the poet
Petrarch. The word ‘sonnet’ is derived from the Italian word ‘sonnetto’ which means
‘little song’. Traditionally, sonnets are made up of 14 lines and usually deal with love. As
a rule, Petrarchan (Italian) sonnets follow an ABBA ABBA CDE CDE rhyme scheme,
whereas Shakespearean (English) sonnets are typically ABAB CDCD EFEF GG. But of
course, rules are made to be broken!
2. Elegy
• The word "ode" comes from the Greek aeidein, meaning to sing or chant.
• Odes are one of the most well-known forms of poetry. They tend to
serve as a tribute to a subject. This subject can be a person or an
inanimate object, and the voice in the poem praises the subject in a
ceremonial manner. Odes are short lyric poems, which convey intense
emotions, and tend to follow traditional verse structure. They are
generally formal in tone. Romantic poet John Keats wrote several odes,
including Ode To a Nightingale. and Percy Shelley's "Ode to the West Wind"
Objective poetry
• Impersonal poetry in which the poet goes out of himself and deals
with the outside world with little references of his own personal
thoughts and emotions
1. Epic
• A ballad is a form of narrative verse, and its focus on storytelling can be musical or
poetic. Ballads typically follow the pattern of rhymed quatrains, which use a rhyme
scheme of ABAB or ABCB. Though this is often how they are structured, this is not
always the case, as the form is loose and can be altered. An example of a ballad is
Samuel Taylor Coleridge’s The Rime of the Ancient Mariner.
3. Idylls