Professional Documents
Culture Documents
Critical Reading Skills
Critical Reading Skills
Skills
Strategies for Effective Critical Reading
Aside from employing strategies, you have to read the text with
an open mind. From here, you can see how ideas are developed and
organized. Remember to think critically all throughout the reading
process and ask higher order questions whenever possible.
The statements in the text must also be evaluated. Examine the
facts and examples; try to check if there are gaps and inconsistencies.
Check for the accuracy and reliability of the sources and distinguish
facts from opinions. Aside from evaluating, look for what is not
presented as well. Based on all the facts presented, assess if the
conclusions are acceptable.
In addition, remember to evaluate the
credibility of the writer. Analyze the
motivation for writing the text by looking at
the writer’s sociopolitical, cultural,
economic, and personal situations.
Guide Questions for Critical Reading
Below are some general questions that will guide in reading critically.
What is the writer’s perspective? Does he/she write from an outsider’s or insider’s perspective?
What relevant information is excluded from the text?
Do you agree with the writer?
Is the writer objective and accurate?
How would you describe the tone of the writer?
Does the text contain fallacies? What are those?
Are there assumptions made by the writer?
Does the writer oversimplify complex ideas?
Does the writer use reasonable generalizations and inferences?
Hypertext vs Intertext
An intertext refers to a work whose meaning is shaped by
referencing or calling to mind other texts. Basically, other
texts help add meaning to the current text. The reader gets
to understand the context of the piece through other texts
which parallel it in terms of plot, characters, premise, and
the like. In an intertextual work, the context is not given
immediately; only through the wealth of previous knowledge
and experience or further research will the reader be able to
understand the text. It can occur in either online or printed
media, but it is not limited to literature; it spans other media
such as movies, songs, and the like.
When we read, we try to make meaning of the material that
we are absorbing through many different processes.
Unintentionally, sometimes, we see patterns in the materials
that we are reading that are apparent in another text.
Theorists term this as intertextuality, as a literary device, "it is
the ‘complex interrelationship between a text and other texts
taken as fundamental to the creation and interpretation of the
text" (Merriam-Webster Dictionary, 2015). As readers, our
ability to create connections among various texts enhances
the meaning of the reading material.
An example of an intertextual work is CS Lewis’ The
Chronicles of Narnia: The Lion, The Witch, and the
Wardrobe. It alludes to the Bible, and some of the parts
parallel some scenes in the Bible (such as Edmund’s
betrayal and Aslan’s sacrifice vis-ὰ-vis Judas’ betrayal
and the crucifixion of Jesus).
JK Rowling’s "Harry Potter Series" and JRR Tolkien’s "Lord of
the Rings Trilogy.“ JK Rowling’s "Harry Potter Series" share
similar events and even characters types similar to JRR
Tolkien’s "Lord of the Rings Trilogy". Both texts use wise
wizards as the protagonist’s mentor (Gandalf in LOTR and
Dumbledore in Harry Potter), this is an example of
intertextuality. As readers, we understand "Harry
Potter’s" journey more because of the individual
connections we can attribute to the "Lord of the Rings".
However, we do not need to read the "Lord of the Rings" to
understand "Harry Potter."
An hypertext is characterized by the external links embedded in a
text by the writer. In a hypertext, the reader can read the text in a non-
linear way, because he is led to other links outside the main text. A
work in hypertext also enables the reader to arrive at the intended
interpretation, because he is led to where the author exactly wants him
to go. The context is taken through links or commentaries directly
connected to the text being read (i.e., definitions of some terms,
explanations of certain phenomena mentioned, direction to the next
part of the plot, etc.) It is given directly, since the author has already
provided the links and explanations to the reader in an online medium,
a hypertext is evident through embedded links of the author while in
printed media, it is seen as the commentaries and foot notes in the
margins.
Hypertextuality allows readers to study a text in a
different manner. Typically, a text is written in a linear fashion.
This linear progression only enables the reader to read the
material the way the author designed it from beginning to
end. In a hypertext, pieces of information are connected
semantically. There is an undefined beginning, middle, and
end (Department of Education, 2013). Hypertext creates a
network of materials linked because of various connections
they share, this encourages and, at times, requires readers to
go through the material at their pace.
Hypertext allows readers to choose their way of
reading the text that speaks to them in the most
logical manner individually. This process removes
the burden of making meaning from the author to
the reader. As a reader, you are given the chance
to explore other parts of the text or even ideas
linked to the text without being told how and what
to read in a step-by-step process.
Example:
Philippa J. Burne’s wrote "24 Hours." This hypertext fiction presents a narrative, wherein,
readers are given clickable options that determine the dialog and action of the text. You may
determine the path the story may take depending on the choices that you make as the reader.
The girl hesitates, ‘Jess left.’
‘Oh.’
‘You a friend?’
‘Cousin.’