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Media and Cyber or Digital Literacy
Media and Cyber or Digital Literacy
Is the ability
to identify
different typ
es of media
understand t and
he messages
communicat they are
ing, includin
the intended g who is
audience and
the motivatio what is
n behind the
m e s s age.
MEDIA LIT
ERACY
the exact ty
pe of media
television, r varies---
adio, newsp
magazines, apers,
books, hand
But what th outs, flyers,
ey all have i etc.
t h a t t h ey w e n common is
re all create
and that som d by someon
e o ne h a d a r e
creating the eason for
m.
MEDIA LIT
ERACY
According t
o Aufderhei
(1993) defin de
e it a s “ th e a
to access, an b il it y
alyze, evalu
and commu ate,
nicate messa
a wide varie ges in
ty forms”.
MEDIA LIT
ERACY
According C
Potter (1998 h rist and
) define it as
ab i l ity t o a c “ t he
cess, analyz
evaluate, an e,
d create me
across a var ssages
iety of conte
x t”.
According to Boyd (2014), media literacy education
began in the United States and United Kingdom as a direct
result of war propaganda in the 1930s and the rise of
advertising in the 1960s. In both cases, media was being used
to manipulate the perspective (and subsequent actions) of
those exposed to it, thereby giving rise to the need to educate
people on how to detect the biases, falsehoods, and half-
truths depicted in print, radio, and television.
Because media communication lends itself so
easily and so well to the purpose of manipulating
consumers’ perceptions on issues both political and
commercial, being able to understand the “why”
behind media communication is the absolute heart
of media literacy today.
“At the 1993 Media Literacy Notional Leadership
Conference. U.S. Educators could not agree on the
range of appropriate goals for media education or the
scope of appropriate instructional techniques.” The
conference did, however, identify five essential concepts
necessary for any analysis of media messages :
1. Media messages are constructed.
2. Media messages are produced within economic,
social, political. Historical, and aesthetic contexts.
3. The interpretative meaning-making processes
involved in message reception consist of an interaction
between the reader, the text, and
the culture.
4. Media has unique “languages:” characteristics which
typify various forms, genres, and symbol systems of
communication.
5. Media representations play a role in people’s
understanding of social reality.
WHAT MEDIA LITERACY IS NOT
. t h a t a re
o f acti o n s
n g i s a l i s t a t i v e of
l l o w i e s e n t
The fo e n fo r b e i n g r epr
d i a is
i s t a k ng th e m e
often m c y: C r i t i c i z i
c y.
i a l i t e r a i a l i t e r a
me d o f i t s e l f , med i m e s
n a n d s o m e t
not, i e d i a l i t e rate
e r , b e i n gm t i c i z e w h at
Howe v i n d e e d cr i
s t hat o n e
re q u i r e n d h e a r s.
one sees a
WHAT MEDIA LITERACY IS NOT
i s n o t m edia
u c i n g m e dia
e l y prod n g m edia
M e r
t h o u g h p a r t of b e i
e d i a.
l i t e ra c y a l p rodu c e m
ab i l i t y T o
r a t e i s t h e a ( v i d e os,
l i t e w i t h me d i i a
a c h i n g u a l m e d
Te ) d o e s n o t eq
t i o n s , e tc . a l i t e r acy
prese n t a n i nm e d i
n e du c a t i o m e d ia
c y . A ing a b o u t
l i t e ra d e t e a c h
s t a l s o i n cl u
mu
WHAT MEDIA LITERACY IS NOT
a l y z i n g i t
d i a a n d a n
i ew i n g m e e i s n ot
V p e r s p e c t i v
m a s i n g l e l i t er a cy
fr o u e m e di a
e r a c y. T r
med i a l i t
a b i l i t y a nd
s b o t h t h e
require n d a n a l y ze
s t o v i e w a
i l l i n g n es t i o n s a n d
w l t i p l e p o si
a f r o m m u
med i t i v es.
pe r s p e c
WHAT MEDIA LITERACY IS NOT
n o t s i m p ly
e r a c y d o e s
li t
M e d i a
in g w h a t a n d w h a t n o t
m ea n k n o w " w a t c h
d o e s m e a n
o w a t c h ; it l y. "
t n k c r i t ic a l
y , t h i
carefull
Challenges to media literacy education
How do we teach?
How to measure media literacy and evaluate the
success of media literacy initiatives.
Is one of purpose- "Is media literacy best understood
as a means of inoculating children against the
potential harms of the media or a means of enhancing
their appreciation of the literary merits of the media?
Is a subject of media literacy; the ability to locate, evaluate, create, and
communicate information on various digital platforms. This includes the
ability to verify information as factual as well as identify and avoid
communication with deceitful, malicious, and exploitative content.
DIGITAL LITERACY
Resource
Tools Literacy Literacy
Social - Structural
Research Literacy
Literacy
understanding the
production and social using IT tools for
significance of research and
information; scholarship;
DIGITAL LITERACY
ability to understanding of
communicate and new developments in
publish information; IT; and
DIGITAL LITERACY
Critical Literacy
Warning
Socialization and Education
Companionship
Propaganda
Status Conferral
Mainstreaming
Agenda Setting
Entertainment
Reality Construction Advertising
Surveillance
warning
Propaganda is information
especially a biased or misleading
nature, used to promote or publicize
a particular political cause or point
of view.
mainstreaming
Multiple sources:
Don't just rely on a single article. The
more you read from various sources, the more
likely you can draw accurate conclusions. Also
consider diverse sources and perspectives, for
example, news from different countries or
authors with different backgrounds.
How to spot fake news!
Comments:
Even if the article, video, or post is
legitimate, be careful of comments posted in
response. Quite often links or comments posted
in response can be auto-generated by bots or by
people hired to put out bad, confusing, or false
information.
How to spot fake news!
Repost carefully:
Fake news relies on believers to
repost, retweet, or otherwise forward false
information. If you're uncertain as to the
authenticity of an article, think twice or
hold off on sharing it with others.
objectivity
Objectivity is reporting
facts without bias or
prejudice, including or a
deliberate attempt to
avoid interpretation.
Avoiding conflict of interest
Although journalists
cannot always ensure that
their stories are true, they
can make an extra effort to
be truthful and to avoid
lying.
Integrity of sources