Characterisation of Nora acts as vehicle for the play’s
exposure of the destructive effects of the construction of femininity within the mythology of 19th century bourgeois marriage
Exposes the ideology of the separation of the spheres as a
fiction which functions to disguise the subjugation of women Forced to Lead a Double Life
• Conforms to socially ascribed status as subordinate by
indulging in infantile behaviour because of lack of financial power • But note that she uses her socially ascribed status to manipulate Torvald • Need to protect Torvald’s male pride leads her, ironically, to challenge her socially ascribed status by entering the masculine public sphere through financial transactions and work
• This produces an awareness of other possibilities in life to
conforming to ascribed role • The double life results in a crisis of identity , partly symbolised by the tarantella, a dance which mimic the results of being bitten by a tarantula and which is intended to end in either death or expulsion of the poison • Nora’s subscription to separation of the spheres leads her to grasping frantically at a fantasy world in which she and Torvald sacrifice themselves for each other