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THE BLACK CAT

Edgar Allan Poe


SUMMARY
ANALYSIS &
THEMES

http://www.litcharts.com/lit/poe-s-stories/the-black-cat
The narrator begins by saying that we ■ Poe uses this foreshadowing message to
probably won’t believe what he is about to increase the sense of horror for what is to
tell us. follow.
But he assures us that he is not mad, and
because he is about to die the next day, he
wants to recount to us these “household ■ We already know that the narrator is on the
events” that have caused so much terror. brink of death, so the fact that the events are
domestic and logical makes them even more
He suspects that to some people, the events real and horrific.
will seem commonplace, and their horror
will be explained away with logic and
science.
■ Horror and the mundane household often
come together like this in Gothic literature.
The narrator tells us of his boyhood, ■ The set-up of the story is nice and friendly.
which was easy.

He had a particular love of animals and had ■ The narrator’s childhood sounds loving and
a lot of pets and this love only increased
into adulthood. the description of his love of animals paints
a picture of a kind household, full of life.
He thinks there is something in the loyalty
and unselfishness of a dog that you can’t
get from a man. ■ But because of the introduction, we know to
be suspicious of this happy family scene.
But the narrator did marry, and was lucky
to find a wife who appreciated his love of
pets, and filled their house with a host of
them, including a black cat.
This cat was unusually large and ■ The narrator zooms in on the cat, Pluto.
intelligent.

The narrator remembers how his wife ■ Though he assures us that his wife’s
used to talk about the superstition that
black cats are all witches in disguise, but superstitions are unimportant, the mention of
he assures us that this is unimportant to them increases the sense of foreboding we
the story. He just remembers the detail. already have for the titular black cat.

Anyway, the cat’s name was Pluto and


became a favorite of the narrator,
following him everywhere. This special
bond lasted several years.
Meanwhile, though, the narrator’s mood ■ Note how the act of violence is particularly
became progressively worse. directed at the symbolic eye, which Poe often
uses to show the supernatural spirit or soul.
He drank a lot and suffered from bouts of
very bad temper, in which he even lost
patience with the animals, and even
with Pluto. ■ But there is also another symbolic act at play
here – the weapon that the narrator uses is a
One night, drunk, the narrator returned quill pen, a writing tool, suggesting both the
home, and imagined that Pluto was power and the violence that Poe feels
avoiding him. towards the written word.
This sent him into a fit of rage, and, he is
ashamed to write it, he attacked the cat
and gouged out one of his eyes with a
quill pen.
In the morning, the narrator felt horrible ■ The narrator is tormented by his own mind.
about the cruel act. The cat’s eye socket
healed, but he now knew to avoid the narrator
and their bond was lost. ■ It is not the cat’s behavior that provokes his
At first, this loss saddens the narrator but that feeling of perverseness, it is his own
feeling of regret gives way to anger and disordered mental state.
perverseness.

He explains this word, perverse. It is a natural ■ This is an interesting take on the traditional
phenomenon in human beings, to do the thing Gothic genre: adding psychological
that one knows is wrong just because it is explanations to the mix, such as the
wrong.
description of perversity, creates the
It is this phenomenon that the narrator uses to opportunity for the reader to sympathize with
explain his attack on the animal, and in the the narrator, that isn't traditionally a feature
spirit of perverseness, he also commits a of Gothic tales of past eras.
further act, and hangs the cat from a tree.

He cried as he did it. He knows that this sin


places him beyond the reach of mercy.
That very night, the narrator and his ■ Poe plays with the idea of the power of a
wife were awoken by the sound of flames. disturbed mind.
The house was on fire. They escaped but
they saw all their possessions go up in
smoke.
■ The fire is such a violent coincidence that it
The narrator resigned himself to despair. seems to have been caused by some
He says that he does not try to prove a supernatural power: like the narrator’s rage,
series of causes and effects but that he or perhaps the cat itself.
must relate a chain of facts.

He went back to the house the day after the ■ The coincidences continue as the outline of
fire and sees that all the walls have caved
in except for one. the cat appears in the only piece of the
building not destroyed by the flames.
It is the part of wall above the head of the
bed, and now has a crowd of people
around it. Going closer, the narrator ■ It is impossible to separate the disturbed
realizes that within the wall, there is a vision of the narrator and the reality,
shape in relief, of the murdered cat. because we know his mind is guiltily
obsessed with the image of the cat.
The narrator tries to logically explain ■ The battle in the narrator’s mind between
how it could have happened. delusion and reality rages at this point.
The cat must have been thrown into the
window when people saw the flames and
gotten stuck to the recently plastered ■ He tries desperately to explain what he sees
wall and been preserved there by the with rational thought, but his mind is already
compression of the other walls and the infected with superstition and his
substance of the plaster. explanations begin to sound far-fetched and
somewhat insane.
But though the narrator believes he has
explained the incident, he still gets
terribly paranoid about seeing the vision
again.

He gets an urge to find a replacement


animal.
One day, in a den of disrepute, the ■ The den setting is filled with alcohol and
narrator suddenly spots a cat atop a other substances that provoke illusions and
barrel of alcohol he’s been staring at. hallucinations.
The cat is large and looks almost exactly
like Pluto apart from a white patch on its
breast. ■ By putting the narrator in this setting, Poe
introduces another level of mistrust in our
The narrator starts petting it and finds it intimacy with him.
very responsive to his touch. Soon, the
cat is very attached to the narrator and
won’t let him leave without him. ■ How far can the narrator be trusted, when
He takes it home, and soon the cat the arrival of Pluto’s double is a product of
becomes a favorite of the narrator’s wife, these mind-altering drugs and dark, shady
but, much to his surprise, the narrator atmosphere?
finds a loathing growing within himself
for the animal’s unwavering affection.
The narrator starts to avoid the ■ Poe brings out his doppelganger technique
creature, partly out of this hatred but again. The features of this new cat
also from shame at the way he had coincidentally make him an exact replica of
treated his last cat. the murdered Pluto.
He also hates a particular coincidental
feature of the cat: that it too only has
one eye, though this only endears the cat ■ Now this animal presents the narrator with a
to his wife. bigger challenge – a supernatural (or
possibly imaginary) rival is much more
As the narrator’s loathing for the cat difficult to get rid of than a real one.
increases, so does the cat’s affection and
it springs up on the narrator unawares,
looking to be petted, attaching itself
with its claws. ■ The narrator now battles with his own
delusions as well as his violent moods.
The narrator, at these moments, wishes
he could destroy the animal, but stops
himself because of the traumatic
memory of Pluto but mostly because of
his dread of the new cat.
The narrator tries to explain that this ■ The narrator’s turn of phrase in this passage
dread is not because of the apparent evil is illuminating. By comparing himself to a
of the beast, but of the strange high God, and therefore superior to other
transformation of the patch of white animals, he confesses his delusions of
on the cat’s breast into the shape of a
gallows – it is merely a cat, yet it is his grandeur.
most haunting image, and has caused him
somehow to be writing from “this felon’s
cell.” ■ He believes that the world is against him and
a lot of the visions that we see appear before
The image of the gallows terrifies the him, the doppelganger animal, the gallows,
narrator. the cat in the wall, can all be attributed to
this inflated sense of importance.
He mourns that such a beast can get the
better of a man like him, “made in the
image of a High God.”

Now he can get no rest, because the cat is


all over him in the day time and the nights
are filled with bad dreams.
In this state of permanent torture, all the ■ From the first attack on Pluto, the narrator’s
goodness that the narrator had in his evil deeds multiply horrifically, each one
heart has disappeared. breeding the next.
His evil instincts take over, and even his
wife is feeling his fury. ■ All trace of remorse is gone. Now the narrator
One day, they go to visit their old house cold-bloodedly focuses on concealing the body
on an errand, and when the narrator of his wife, without any sign of grief or of ever
sees the new cat has followed him he having cared for her.
swings an axe at it, but his wife stops
his arm.
■ Poe uses the domestic environment to amplify
In a rage, he strikes his wife in the head the horror – just as the narrator warned at the
with the axe and kills her. His mind beginning of the story, the household is now
turns immediately to how to dispose of home to murder.
the body.

He considers cutting it up, digging a


grave in the cellar, but decides that the ■ In fact, the very walls of the family home are
best way is to hide the body in the wall used to hide the bodies.
of the cellar.
The narrator's plan works. He removes ■ After the intense activity of the narrator’s
the bricks covering the fireplace, and puts plan to hide the body in the wall, the silence
the body in and covers it again. in the cat’s absence is strongly felt.
He works hard to replace the wall and
recreate the scene just as it was and in the
end is satisfied that nothing is amiss. ■ It is the quiet before the storm. We as
readers know we have not heard the last of it
Then the narrator determines to find the because the narrator has not been found out
cat so that he can at last rid himself of its (we already know that he is in prison as he
presence, but he finds it absent for the writes this).
first time.

The sense of relief is extreme. The cat


doesn’t appear for the whole night and ■ Though the narrator sleeps soundly, Poe
for the first time since its arrival, even keeps up the suspense for the reader.
with the murder of his wife on his hands,
the narrator sleeps soundly. For three
more days, this bliss continues.
On the fourth day, some policemen arrive ■ The narrator’s delusional, arrogant personality
to search the property, but knowing that his has grown out of all recognition from the
stowing place is perfect, the narrator is animal-love we were first introduced to.
not embarrassed and leads the officers in a
full tour of the house.
■ The narrator feels no fear, all remorse is gone,
He roams about the cellar, calmly. The
police are satisfied, and in his absolute and he seems to delight in his crimes to the
glee, the narrator stops them as they depart point where he desires to show them off and get
to mention how well-built the house is and credit for them.
taps his cane against the brick work that
hides the body.
■ But this is his downfall. The moment he has
But his bravado is short lived. A horrible been frantically awaiting finally comes and he
moan comes from the wall and turns into a receives his come-uppance.
shriek, half terrified, half triumphant.

The narrator is suddenly faint as the police ■ The cat is both a supernatural rival revealing
quickly uncover the corpse inside the wall. his crime, and a symbol of his tortured
It has already started rotting, and on top of
the gory figure of the narrator’s wife, conscience, suddenly revealing all that he has
sits the cat. done.
ANALYSIS

The Black Cat


http://www.gradesaver.com/poes-short-stories/study-guide/summary-the-black-cat

■ "The Black Cat" bears close similarities with the story of the "The Tell-Tale Heart" in that it
begins with an unnamed narrator who has been apprehended for murder and who insists that he
cannot be insane before he begins an account of a murder that he committed.

■ Unlike "The Tell-Tale Heart," however, we have a man who is aware of the transformation in
himself that has led him to become a murderer, although he cannot totally explain it, and we
even have a potential cause for his insanity in the form of alcohol.

■ Whereas the protagonist of "The Tell-Tale Heart" explains his case for murder as if his logic
were obvious and inevitable, the narrator of "The Black Cat" is on some level aware of his
unreasonableness, although he chooses to ignore it and succumb to the baser human emotions of
perversity and hatred.
http://www.gradesaver.com/poes-short-stories/study-guide/summary-the-black-cat

■ One aspect of the narrator's personality that he shares with several of Poe's characters is that
despite his overall lack of normal ethics and good judgment, he uses some reason and logic to
avoid admissions of his mental abnormality.

■ In particular, when he sees the image of his cat on the one remaining wall of his house after it
burns down, he tries to ignore superstition and offer a reasonable, scientific explanation for its
existence.

■ Ironically, the only superstitious member of his household is his wife, who consistently shows a
strong moral character despite the abuses and deterioration of her husband.

■ Given that in "The Tell-Tale Heart" the narrator's main proof of his sanity is his rational mind, the
contrast between the wife and husband in "The Black Cat" suggests that the difference between a
normal mind and an unhealthy one is that the unhealthy mind uses logic to explain away what a
normal mind would intuitively understand. Rather than allowing himself to use his wits to
recognize the possible significance of the cat's image on the wall, he convinces himself of the
scientific explanation in order to forestall thinking about his guilt.
http://www.gradesaver.com/poes-short-stories/study-guide/summary-the-black-cat

■ The supernatural elements of "The Black Cat" leave open the question of how much is real,
how much can be rationally explained, and how much is a product of the narrator's imagination.

■ Pluto's possible magical significance is first noted by the wife, who states that black cats are
said to be witches in disguise, although her kind treatment of Pluto indicates that she does not
put much faith in this particular superstition.

■ The narrator explicitly dismisses this viewpoint, but the superstition flavors his entire story.
When he observes the image of the cat on the wall, he describes it as gigantic; he previously
described Pluto as fairly large, but whether the size of the image is an expression of the
paranormal or simply a product of his frightened imagination is difficult to say.

■ Similarly, the narrator claims that the patch of fur on the cat transforms from an "indefinite
splotch" to the specific image of the gallows, but we have no evidence that the narrator is
observing anything more than the twisting of his own mind.
http://www.gradesaver.com/poes-short-stories/study-guide/summary-the-black-cat

■ The narrator speaks specifically about the spirit of perverseness that combines with his alcohol
dependence to provide the impetus for his transformation into a murderer.

■ He is particularly careful to explain how perversity drives him to hang his cat Pluto, and at the
time, he understands the evil of his crime and even feels some measure of guilt over it.

■ The sign of his decreasing sanity comes as much from his lack of guilt over killing his wife as it
does from the actual act of burying his axe in her skull. His explanation that perverseness is
"one of the primitive impulses of the human heart" is called into question because of his
madness, but at the same time, the story makes us wonder about the truth of his assertion.

■ On the one hand, perverseness might seem natural to the narrator precisely because he was
already prone to it, despite what he claims was his previously innocent personality. On the other
hand, perhaps he is correct in that perversity exists in all men but is merely aggravated in him.
http://www.gradesaver.com/poes-short-stories/study-guide/summary-the-black-cat

■ "The Black Cat" is in many ways a moral tale that deals with the tension between love and hate
and that warns of the dangers of alcohol, a substance to which Poe himself was addicted for
much of his life.

■ The narrator appears at first to love both his wife and his pets, but by the end of the story his
fondness has turned to neglect, spite, and even hatred, particularly for Pluto and his successor.

■ Although Poe does not provide a solid explanation for the narrator's encroaching loss of sanity,
perhaps suggesting that madness might happen at any time to any person, the narrator admits
the role of alcohol in his behavior.

■ In addition, the arrival of the second cat is closely related to his alcoholism, since he first finds
the cat in a seedy drinking establishment. The second cat ultimately serves as the facilitator of
justice when it reveals the corpse's hiding place at the end of the tale, and its initial appearance
on top of a hogshead of gin or rum emphasizes its moral purpose.
THE GOTHIC STYLE
http://www.litcharts.com/lit/poe-s-stories/themes
■ Originating in 18th Century England, Gothic Literature was an important and distinctive
movement in literary history, with a body of definite themes and symbols that has grown and
changed as the genre has spread across the world and across time.

■ But some core aspects remain definitive of the Gothic style, including: Gloomy settings
like castles, dungeons, prisons and vaults; haunting figures, ghostly and somewhat unreal;
symbols and colors that suggest the gory and supernatural.

■ The Gothic style of Poe’s stories ties them all together, with their morbid, gory, suspense-filled
plots and solitary, romantic settings, like the location of Prince Prospero’s strange
masquerade.

■ Colors black and red, and visual symbols like evil eyes and black cats, vaults and cellars,
create a very recognizable gothic world, so that all Poe’s stories seem to belong in one
collection.

■ Poe is famous for bringing Gothic literature into the Victorian era and incorporating
psychology into their themes, making the supernatural more believable and close to home.
Rivals and Doppelgangers
Rivals and Doppelgangers
http://www.litcharts.com/lit/poe-s-stories/themes

■ In his stories, Poe creates a narrator faced with some kind of antagonistic person or force—a rival
—that propels the plot of the story.

■ In The Black Cat, the rival takes the form of a cat, which seems to have a sixth sense for the
narrator’s anxiety.

■ Often the source of the rivalry is a mystery, as in The Cask of Amontillado, where the
narrator explains that a man called Fortunato has wronged him and expresses his desire for
revenge without ever explaining the nature of the original wronging. And then the punishment he
exacts on Fortunato is so extreme, that it suggests that perhaps the act tells more about how
unhinged the narrator is—or how unhinged his sense of rivalry has made him—than it tells about
the criminality of Fortunato.

■ In fact, sometimes the rivalry is free of offense entirely. In the case of The Tell-Tale Heart, the
narrator simply can't stand the old man’s vulture eye. Otherwise, the old man seems to be entirely
innocent. The narrator's hatred is built up based on almost nothing. And yet it exists, and
overwhelms him.
Rivals and Doppelgangers
http://www.litcharts.com/lit/poe-s-stories/themes

■ Poe’s use of rivalry does not always exist between a man and some external person or force.
Sometimes the rivalry is the self against the self.

■ A doppelganger is a German term for a figure, often paranormal, that seems to be the exact double
of someone else. It is a phenomenon explored in several of Poe’s stories, including the cat in The
Black Cat which seems almost to be the reincarnated in a ghostly form.

■ But sometimes these doppelgangers suggest a condition more complicated than a case of
paranormal doubleness.

■ Sometimes the doppelganger is so similar to the teller of the story that it seems to indicate that the
narrator is suffering from some kind of split personality or other mental disorder.

■ Psychological insecurity brings about some of the most frightening moments in Poe's stories, and
turns the stories on their heads: everything that seemed to be caused by some paranormal force
suddenly seems like it might actually be rooted in the mind.
THE BLACK CAT
Questions
1. According to the narrator, why is he
telling the story?

2. In the first few paragraphs, the narrator


gives us some information about
himself. What does he stress most?

3. What characteristic did the narrator and


his wife both share (at the beginning of
the story)?
4. What was the narrator’s first cat’s
name? (Why is the name significant?)

5. The narrator speaks of a certain


“disease” that caused him to act
horribly towards others. What was that
disease?

6. What was the narrator’s first act of


violence towards his cat?
7. What was the second act of violence?

8. What woke the narrator from his sleep


that night?

9. What did he see on the wall of his


room?
10. Identify a difference and similarity
between the old cat and the new cat?

11. What did the narrator gradually notice


about the second cat that scared him
badly?

12. What evil did the narrator commit just


after try to kill the second cat?
13. How was the narrator caught?

14. Is the narrator of The Black Cat


insane? Compare and contrast him with
the narrator of The Tell-Tale Heart.

15. In The Tell-Tale Heart and The Black


Cat, what is the relationship between
the confessions of Poe’s guilty
narrators and their claims to sanity and
reliability?
16. How does Poe use setting as a Gothic
element in The Black Cat and The
Cask of Amontillado?

17. What are the similarities in The Black


Cat, The Tell-Tale Heart, and The
Cask of Amontillado? (Hint: plot,
setting, theme, characters, conflicts,
etc.)

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