THE INTRODUCTION OF YOUR ESSAY SHOULD HAVE THREE MAIN
GOALS:
• TO GENERATE INTEREST (IN A FORMAL WAY)
• TO SUMMARIZE YOUR MAIN TOPIC AND/OR THE WORK YOU ARE ANALYSING • TO STATE YOUR CLAIM/ARGUMENT AND TELL THE READER WHAT TO EXPECT (THESIS) INTRO (CONTINUED)
SOME OF THE BEST WAYS TO INTRODUCE YOUR TOPIC ARE TO USE
A SHOCKING STATISTIC, FACT, OR A QUOTATION AS A HOOK. IF YOU USE A QUOTATION, IT MUST BE PART OF YOUR OWN SENTENCE (INTEGRATED GRAMMATICALLY). • EX. THIS YEAR IN NORTH AMERICA, GUNS WILL KILL MORE PEOPLE THAN CANCER AND CAR ACCIDENTS COMBINED. • EX. 2013 SAW YET ANOTHER DISASTROUS CELEBRITY IDENTITY CRISIS AS MILEY CYRUS ATTEMPTED TO REINVENT HERSELF FROM GOOD GIRL “HANNAH MONTANA” INTO THE TERRIFYING, TWERKING PARTY GIRL MILEY. THINGS TO KEEP IN MIND:
• YOUR INTRO SHOULD GIVE GENERAL INFORMATION (BUT NOT
TOO GENERAL!) ABOUT YOUR TOPIC AND GIVE SOME CONTEXT FOR THE IDEAS YOU ARE GOING TO FOCUS ON • YOUR INTRO SHOULD HAVE A CLEAR THESIS STATEMENT THAT WILL ACT AS A ROAD-MAP FOR YOUR READER (AND FOR YOU!) • EACH PARAGRAPH SHOULD RELATE TO THE THESIS • A PARAGRAPH NEEDS AT LEAST 3 SENTENCES TO BE COMPLETE! Common Intro Problems When responding to a Text:
Too much summary of the author’s points (too
much focus on the author’s argument, more than 2 or 3 sentences) or drifting off topic
Weak thesis statement that doesn’t list 3-4
specific points along with main argument THESIS STATEMENT
• A THESIS IS AN ARGUMENT OR CLAIM THAT YOU ARE TRYING
TO JUSTIFY USING SPECIFIC REASONS OR EVIDENCE. • E.G. IF TRYING TO PROVE THAT AN AUTHOR USES SEVERAL RHETORICAL DEVICES, YOUR THESIS SHOULD LIST THE THREE OR FOUR LITERARY DEVICES THAT YOU WILL BE DISCUSSING. INTRO REQUIREMENTS 1) SIGNAL PHRASE & AUTHOR’S THESIS (IF APPLICABLE) E.G. SUE JONES ARGUES IN “THE WRONG WAY TO MAKE BREAD” THAT… 2) BRIEF SUMMARY OF AUTHOR’S ARGUMENTS (IF APPLICABLE) (2-3 SENTENCES MAX.) 3) TRANSITION E.G. JONES’S ARGUMENT SUCCEEDS BECAUSE.. OR HOWEVER, JONES’S ARGUMENT ONLY PARTIALLY SUCCEEDS BECAUSE… 4) THREE OR FOUR POINT THESIS STATEMENT CONTAINING OVERALL ARGUMENT AND POINTS, IN ORDER DISCUSSED IN ESSAY. E.G. …BECAUSE OF HER SAMPLE ONE IN THE ARTICLE, “STOP INFANTILIZING STUDENTS,” AUTHOR WITOLD ZOMBROWSKI ARGUES THAT PARENTS AND TEACHERS TREAT COLLEGE STUDENTS LIKE INFANTS; AS A RESULT, HE SAYS, “STUDENTS DON’T TAKE ANY RESPONSIBILITY FOR THEIR OWN LIVES.” ZOMBROWSKI BELIEVES THAT TEACHERS SHOULD STOP PAMPERING STUDENTS WITH ONLINE NOTES AND IN-CLASS REMINDERS IN ORDER TO “PROMOTE AN ADULT OUTLOOK.” ZOMBROWSKI’S ARGUMENT IS ONLY PARTIALLY SUCCESSFUL, HOWEVER, IN ITS USE OF TWO RHETORICAL APPEALS, A NARRATIVE MODE, A CASUAL STYLE, AND A CONDESCENDING TONE. BODY PARAGRAPHS
• A PARAGRAPH IS A SERIES OF RELATED SENTENCES THAT
DEVELOPS ONE MAJOR IDEA. • THIS IDEA IS SUPPORTED BY EXAMPLES, ILLUSTRATIONS, EXPLANATIONS, FACTS, AND OPINIONS. • THINK OF A PARAGRAPH AS A MINI ESSAY THAT CONTAINS A TOPIC SENTENCE, SUPPORTING INFORMATION AND A CONCLUSION. TOPIC SENTENCES
• THE TOPIC SENTENCE (LIKE THE THESIS) CONTAINS THE
CONTROLLING IDEA OF THE PARAGRAPH. • IT IS THE FIRST SENTENCE OF YOUR PARAGRAPH! • THE SUPPORTING SENTENCES ARE MORE DETAILED AND INFORMATIVE. • THE TOPIC SENTENCE INTRODUCES THE MAIN IDEA, BUT THE SUPPORTING SENTENCES EXPLAIN IT THROUGH EVIDENCE: FACTS, DEFINITIONS, REASONS, EXAMPLES, OR ILLUSTRATIONS. PARAGRAPH VISUAL ORGANIZER DEVELOPING YOUR BODY PARAGRAPHS
• IT’S NOT ENOUGH TO MAKE GENERAL STATEMENTS AND
ASSUME THAT YOUR READER WILL ACCEPT THEM. • ALWAYS ASK YOURSELF THESE QUESTIONS ABOUT ANY STATEMENT: “HOW DO I KNOW THIS? CAN I PROVE THAT IT’S TRUE?” • THE EXAMPLES YOU HAVE IDENTIFIED OR HIGHLIGHTED WHILE READING WILL HELP YOU SUPPORT YOUR ARGUMENTS AND PROVIDE EVIDENCE OF WHAT YOU SAY (QUOTATIONS). • BE AS SPECIFIC AS POSSIBLE. INTEGRATING QUOTATIONS PROPERLY
• ROMEO DALLAIRE (2003) WRITES, “I HAVE YEARNED TO RETURN
TO RWANDA AND DISAPPEAR INTO THE BLUE-GREEN HILLS WITH MY GHOSTS” (P. 467). • DALLAIRE (2003) SPEAKS OF HIS JOURNEY THROUGH RWANDA AS A NIGHTMARE FOR WHICH HE FEELS HE IS AT FAULT. “AS COMMANDER OF THE UN PEACEKEEPING FORCE IN RWANDA,” DALLAIRE BEGINS, “I COULD NOT HELP BUT FEEL DEEPLY RESPONSIBLE” (P. 464). INTEGRATING QUOTATIONS (CONT’D)
• EVEN NINE YEARS AFTER LEAVING RWANDA, DALLAIRE (2003)
REVEALS THAT “THE SOUNDS, SMELLS AND COLOURS COME FLOODING BACK IN DIGITAL CLARITY” (P. 467).
• NOTE: IN EACH OF THESE EXAMPLES, THE QUOTATIONS ARE
PART OF YOUR ARGUMENT; THEY ARE NOT JUST DROPPED INTO THE ESSAY AND MADE TO STAND ALONE! CONCLUSION
YOUR CONCLUSION HAS TWO FUNCTIONS:
• IT SUMMARIZES & REINFORCES THE MAIN POINTS OF YOUR PAPER • IT ENDS WITH AN APPROPRIATE MEMORABLE STATEMENT
NOTE: A STRONG CONCLUSION WILL LEAVE YOUR READER
THINKING ABOUT WHAT YOU’VE SAID AFTER THEY HAVE FINISHED READING!