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BRAVE NEW

WORLD
THE ONES WHO
WALK AWAY FROM
BRAVE NEW WORLD
Freedom will be lost if people succumb to a
totalitarian government’s
CONTEXTcontrol
1920 1932
Global economic collapse Brave New World is published

1918 1921 1939


World War I ends Hitler is appointed the World War II begins
leader of the Nazi party
THE ONES WHO
WALK AWAY 1973
The Ones Who Walk

FROM OMELAS
Contemporary issues 1955
Vietnam War begins
Away From Omelas
is published

1954 1968 1975


Civil Rights Civil Rights Vietnam War
Movement begins Movement ends ends

CONTEXT
BRAVE NEW
WORLD
Stripped of
freedom
BRAVE NEW
WORLD
IDENTITY
COMMUNITY
STABILITY
BRAVE NEW
WORLD
COMMUNITY

IDENTITY

STABILITY
BRAVE NEW
WORLD

Humanity has disappeared, people are


manufactured like machines
BRAVE NEW
WORLD
BRAVE NEW
WORLD
BRAVE NEW
Alpha Plus
WORLD

Epsilons
OPPRESSIVE CASTE SYSTEM
I’m glad I’m not an Epsilon I’m glad I’m not an Epsilon
BRAVE NEW
I’m glad I’m not an Epsilon I’m glad I’m not an Epsilon
I’m glad I’m not an Epsilon
WORLD
I’m glad I’m not an Epsilon
I’m
I’m glad I’m not an Epsilon
glad I’m not an Epsilon
I’m glad I’m not an Epsilon
I’m glad I’m not an Epsilon I’m glad I’m not an Epsilon
I’m glad I’m not an Epsilon I’m glad I’m not an Epsilon
• Conditioning prevents any complex I’m human
glad I’m not an Epsilon
I’m glad I’ not an Epsilon
thoughts I’m
entering
gladthe
I’mminds of these
not an people.
Epsilon
• Since they cannot understand I’m they glad I’m not an Epsilon
are being
I’m glad I’m not an Epsilon
oppressed, there is no risk
I’mof glad
rebellion
I’m and
not the
an Epsilon
lad I’m not an Epsilon
I’mtotalitarian
glad I’m regime
not an continues.
Epsilon
I’m•glad
Despite
I’mthis,
not they suffer fromI’m
an Epsilon lackglad
of human
I’m not an Epsilon
THE ONES WHO
WALK AWAY
FROM OMELAS
THE ONES WHO
WALK AWAY
FROM OMELAS

Genuine Literature
Long lasting Freedom
happiness
human
relationships
THE ONES WHO
WALK AWAY
Living in luxury is more
FROM OMELAS Le Guin suggests
most people are
important to most people of willing to
Omelas, compared to saving the sacrifice
life of an innocent child, humanity in
reflecting utilitarian societal favour of what
they justify to be
values “the greater
good”
h o
The BraveO
t h n e
o sr W
New
u
A•WHuxleyWorld
a l k A w a y
r nO e
makes his
c m s e wloa lds
ais ithes notitle
rfrom
tboth
Aurthoom
stance very t h i s
clear,
• F
t s
s introductory w
r ej e c
t cleaand m
r frothe
b u t th
the story
d h a
o l o n e . T h e ti tl e
nce,
n e r s t a
atotalitarian government
e s t o h
subtly allud
paragraphs- he rejects a
t h o se
m m e n d s
as she co
who le
t ha
e
v
where freedom y
e
s
t h e
has been
t ea d
o
o
p p ressive
f doin g
e
syste m i n
lost.
• He exaggeratesn
no thin g.
l u e c
current
f t l ar g ely
n e s n o

itiin highly negative


• Sh e d o h er
technology, describing a u d i e n c e :
influence her
descri
city t h
p t
e
i o
terms, to position
an d tin
h
r s
his
e
o
c
f
h i
b o th t h e
ld are

world as well. ence


audience to reject the
factual.
• Sh e u s e
i s a s p e c ulative
ience to
O
The Brave New n e s W h o
•W a l k A w a y
Huxley World
makes his
wloalds
Aurthoom
• F
stance
r r ej very
ect s m
t h i se
Ot clear from
clear, rfrom
bothis ithe
b u t th s notitle and the
a l o n e . T h e ti tl e
theintroductory
story
e r s t a nce,
e s t o h
btly allud
suparagraphs- he rejects
o s e a
ds t h
she commengovernment
astotalitarian
a v e t h e o p p ressive
ho le freedom has
wwhere o i n gbeen
o f d
stem instead
sylost.
• nHe n g.
othiexaggerates
o e s n o t l ar g ecurrent
ly
he d
• Stechnology, describing n c e : h er
a u d i e
influence her th t h e
it incrhighly
p t i o n s negative
o f b o
des i e
terms,a n dto t hposition
e c h i ld arhis
city
audience
factual. to rejectlatthe
world u as
s e s a s
well. p e c u ive
• Sh e ience to
Brave New
• World
Huxley makes his
stance very clear, from
both the title and the
introductory
paragraphs- he rejects a
totalitarian government
where freedom has been
lost.
• He exaggerates current
technology, describing
it in highly negative
terms, to position his
audience to reject the
world as well.
• This rich detail allows
Si m i l a
r it y
- e ndi n
g
shows
no
i ndi c a
t i on
of cha
nge
ThveeO N ne ew s Who
B r a
W a lk d
le tA nd
Si m i l a
a
John,W Beror n a r d
h e w
onla
yy
• ar
H•eFDreo
lm h
i
o
n t
l
spm
e
t z
i
l lteec O
tsueavlmleyral j
e l a
u sst r it y
- e ndi n
e s
on peo ht o
l
pleenoleuagving
e
caO pab h e
g
m e n s t t
laags, it is implied
a i
p r o t e s t
o
tphpartestshieons.tructuiron
r r e b e l l e shows

w
W ihl l
e nr et hmeiain
i t i s q a s
ui most
c k l y p u t
no
i ndi c a
,
psepoaprklse beliedv, e i
y M o n n t he
t i on
b
utoiulittarianigshmo.w even
n
• Thdeiscphlaiyldi cw n ot
of cha
t
asill e d o
h i g h e s t s p ee c h
o f
continvue efrteoedsoumff
ha
withooruatcitinotne.rven hat
o r c
er
etsiotn
nge
i n
to •upThhoilsdrethe lu rebels f
t e s o m exury
Omeladessp i stopian
The Ones W
e N e w ho
Brav and Walk Away
Be r n r
a rdld
hn,Wo re the only Si m i l a
ol t z a
el m h a ll y
• FDreo
spm
i te O
sevm
erael lja
usst r it y
- e ndi n
l l e c t u peo ple leaving
nes inte ugh to
e no
ca p a bl e
g a i n s t t he
Omelas, it is im
plied g
shows
a
protest n. that the structur
e
io
oppress ir rebellion
he
When t is quickly put
will remain as m
os t no
sparks,
it people believe i
n i ndi c a
out b y M o
g
n
h
d,
ow e v e n t he utilitarianism.
• The child w t i on
of cha
a y i n
displ d o n o t ill
c as t e continue to suff
nge
hig h e s t s p e e ch
d o mo f er
f r e e without interven
have
a c t i o n. tio n
o r r c e s t h at t o up hol d t h e l u
h i s r e i nf o e ls xu r y
• T om e r e b Omelas
njoy.

In conclusion…
Brave New
World and The
Ones Who
Walk Away
From Omelas
are timeless
narratives

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