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WELLS (2006) Intonation and Pitch Awareness
WELLS (2006) Intonation and Pitch Awareness
WELLS (2006) Intonation and Pitch Awareness
It also involves the study of the rhythm of speech, and (in English,
at any rate) the study of how the interplay of accented, stressed
and unstressed syllables functions as a framework onto which the
intonation patterns are attached.
Intonation
E1.1.1 Listen to the following sentences spoken (i) normally and (ii)
strictly on a monotone (= the pitch of the voice stays level, not going up
and not going down). Repeat them aloud in the same way.
I can’t stand it
What do I do now?
O Lord, | open thou our lips
Are you ready to answer?
Silly old fool!
What do these sound like when spoken on a monotone? Would they ever
be said like this in real life? (Singing? Chanted in a church service? In
conversation, with some special meaning?)
Intonation
E1.1.2 Pitch awareness exercise
Listen to the syllable “ma” said with high pitch (¯ma) and then with low
high level pitch (relatively rapid vibration of the vocal folds in the larynx)
low level pitch (relatively slow vibration of the vocal folds in the larynx)
E1.2.2 Practise hearing and produce falling and rising tones, in which there is a
change of pitch on a single syllable.