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Introduction to Pop Literature S. Dominguez
Introduction to Pop Literature S. Dominguez
POPULAR LITERATURE
Popular literature contains writings
that are intended for the masses and
those that find favour with large
audiences.
Dr. Rod Ellis, known as
“ The Father of Second
Language Acquisition”
He defined literature as:
The verbal expression of human
imagination and
• One of the primary means by which
a culture transmits itself.
NATURE
What is the NATURE of literature?
Literature can be defined as an
expression of human feelings,
thoughts, and ideas whose medium
is language, oral and written.
It is not only about human ideas,
thoughts, and feelings but
also about experiences of the
authors.
It can be a medium for humans to
communicate what they feel, what
they think, and what they
experience to the readers.
‘LITERATURE’
BASED ON DIFFERENT POINT
OF VIEWS
Literature is art
Literature is language
Literature is aesthetic
Literature is fictional
Literature is expressive
Literature is affective
Literature is
everything in print
ANY WRITING CAN BE
CATEGORISED AS
LITERATURE
Literature as an
ART FORM
Imaginative Literature
Is highly ‘connotative’ which means words that used in
literary works have feeling and shades of meaning that
words tend to evoke.
Imaginative literature or “literature of power” includes
poems, short stories, novels, and plays. It interprets
human experience by presenting actual truths about
particular events.
Non-Imaginative Literature
2. Eternity UNIVERSAL
CHARACTERISTICS OF
3. Universality LITERATURE
4. Permanence
Literary Criticism
and its Purpose
Analysis and Judgment.
Interpret
Understand
Identify
Examine
Contributes to maintenance of
high standards of literature.
Modern literary criticism is often
influenced by literary theory,
which is the philosophical
discussion of literature’s goals
and methods.
HOW DO YOU DO
LITERARY CRITICISM?
• Method to Applying Advanced
Critical Techniques
• Read the work of literature critically.
• Evaluate as you read.
• Brainstorm which aspect to write about.
Formulate a thesis statement.
Create an outline.
Select quotes and patterns that
support your thesis.
• Find other criticism to support
your thesis.
TYPES OF
LITERARY CRITICISM
ARCHETYPAL CRITICISM
• Is a critical theory that interprets a text
by focusing on symbols, images, and
character types in literary works that is
used to discuss in plot, character or
situation.
CULTURAL CRITICISM
•Focuses on the elements of
culture and how they affect
one’s perceptions and
understanding of texts.
FEMINIST CRITICISM
•A product of the feminist movement of
the 1960’s and 1970’s. It is the
representation of women in literature
as an expression of the social norms
about women and their social roles and
as a means of socialization
PSYCHOANALYTIC CRITICISM
•Based on Sigmund Freud’s ID, ego
and superego, the author’s own
childhood effects the book and
character. It is a type of criticism that
uses theories of psychology to
analyze literature.
MARXIST CRITICISM
• Grew out of writings of Karl Marx, who was
highly critical of the capitalist system of
economics and politics. It concerned with
the issues of class conflict and
materialism, wealth, work, and the various
ideologies that surrounds these things. It
connotes higher class do control arts,
literatures, and ideologies.
HOW TO DO A MARXIST READING
1. Look for examples of oppression, bad working conditions, class
struggles and other related issues.
2. Search for the “covert” meaning underneath the “overt” which is
about class struggles, historical stages, and economic conditions.
3. Relate the context of a work to the social-class status of the
author.
4. Relate the literary work to the social conditions of its time period.
5. Explain an entire genre in terms of its social period.
6. Show how literature is shaped by political, economic, labor, and
class conditions.
NEW CRITICISM
(FORMALISM/STRUCTURALISM)
• New criticism was a formalist movement
in literary theory that dominated in
American literary criticism in the middle
decades of the 20th century which
emphasized close reading particularly of
poetry, to discover how a work of
literature functioned as a self-contained,
self-referential aesthetic object.
FORMALISM
• Refers to critical approaches that analyze,
interpret, or evaluate the inherent features
of a text. These features include not only the
grammar and syntax but also literary
devices such as a meter and figures of
speech. It reduces the importance of a text’s
historical biographical and cultural context.
NEW HISTORICISM
• Was first developed in 1980 by the
American critic Stephen Greenbelts. It
is based on the idea that literature
should be studied and interpreted
within a wide context examining both
how the author’s time, in turn
recognizing that current cultural
contexts color that critic’s conclusion.
POST-STRUCTURALISM
• Offers a way of studying how knowledge is
produced and critiques structuralism premise.
It rejects the idea of a literary text having a
single purpose, a single meaning, or one
singular existence. It argues to understand an
object (e.g. A text), it is necessary to study
both the object itself and the systems of
knowledge that produced the object.
POST-STRUCTURALIST CRITICISM
Must be able to utilize a variety of
perspectives to create a multifaceted
interpretation of a text, even if these
interpretations conflict with one another.
• It is particularly important to analyze how the
meanings of a text shift in relation to certain
variables, usually the identity of the reader.
READER-RESPONSE CRITICISM
• Critic believes that a reader’s interaction with
the text give its meaning. The text cannot
exist without the reader. It focuses on the
reader or audience and the experience of a
literary work rather than the author or the
context and form of work.
END OF REPORT NA.
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