Traditional Art

Man-Made Environment
Quarter 2
Drawing Activity

Draw an artifact that shows

the prominent qualities of Do this in short bond paper.
Philippine Traditional Art.
Activity # 1
Choose the letter of the best answer
1. What A. Balance
principle
measures the B. Dominance
visual weight
of the C. Proportion
elements in a
composition? D. Rhythm
2. What A. Balance
principle is
concerned B. Proportion
with
repetition of C. Rhythm
elements on a
space? D. Unity
 A. Balance
3. What
principle is B. Dominance
concerned
with the size
relationship C. Proportion
of parts?
D. Rhythm
4. What A. Balance
principle is
concerned B. Proportion
with the
wholeness or C. Rhythm
oneness of a
composition? D. Unity
 A. Balance
5. What
principle B. Dominance
draws or
attracts
attention to C. Proportion
the viewer?
D. Rhythm
6. What do A. Central axis
you call a
line where B. Contrast
we determine
the point of C. Motif
balance in a
composition? D. Sub-dominant
 A. Focal point
7. What do
you call the B. Isolation
part of the
composition C. Motif
that attracts
attention?
D. Sub-dominant
 A. Central axis
8. What do
you call a B. Contrast
unit that is
repeated in a C. Motif
pattern?
D. Outline
9. What
rhythm A. Alternate
repeats the
motif similar B. Flowing
in size or
length with C. Random
equal amounts
of spaces
between? D. Regular
10. What
kind of A. Contrast
balance
occurs when B. Formal
forces or
elements of a C. Informal
design come
out from a D. Radial
central point?
A.Banton Cloth 1.
B.Binakul Weaving
C.Bulul
D.Butuan boat
E.Gold Deathmask
F.Kalinga tattoo
G.Lingling-o
H.Maitum Jar
I. Panolong
J. Torogan
A.Banton Cloth 2.
B.Binakul Weaving
C.Bulul
D.Butuan boat
E.Gold Deathmask
F.Kalinga tattoo
G.Lingling-o
H.Maitum Jar
I. Panolong
J. Torogan
A.Banton Cloth 3.
B.Binakul Weaving
C.Bulul
D.Butuan boat
E.Gold Deathmask
F.Kalinga tattoo
G.Lingling-o
H.Maitum Jar
I. Panolong
J. Torogan
A.Banton Cloth 4.
B.Binakul Weaving
C.Bulul
D.Butuan boat
E.Gold Deathmask
F.Kalinga tattoo
G.Lingling-o
H.Maitum Jar
I. Panolong
J. Torogan
A.Banton Cloth 5.
B.Binakul Weaving
C.Bulul
D.Butuan boat
E.Gold Deathmask
F.Kalinga tattoo
G.Lingling-o
H.Maitum Jar
I. Panolong
J. Torogan
A.Banton Cloth 6.
B.Binakul Weaving
C.Bulul
D.Butuan boat
E.Gold Deathmask
F.Kalinga tattoo
G.Lingling-o
H.Maitum Jar
I. Panolong
J. Torogan
A.Banton Cloth 7.
B.Binakul Weaving
C.Bulul
D.Butuan boat
E.Gold Deathmask
F.Kalinga tattoo
G.Lingling-o
H.Maitum Jar
I. Panolong
J. Torogan
A.Banton Cloth 8.
B.Binakul Weaving
C.Bulul
D.Butuan boat
E.Gold Deathmask
F.Kalinga tattoo
G.Lingling-o
H.Maitum Jar
I. Panolong
J. Torogan
A.Banton Cloth 9.
B.Binakul Weaving
C.Bulul
D.Butuan boat
E.Gold Deathmask
F.Kalinga tattoo
G.Lingling-o
H.Maitum Jar
I. Panolong
J. Torogan
A.Banton Cloth 10.
B.Binakul Weaving
C.Bulul
D.Butuan boat
E.Gold Deathmask
F.Kalinga tattoo
G.Lingling-o
H.Maitum Jar
I. Panolong
J. Torogan
 05
SPIRITUAL
COMMUNIT 04
FUNCTIONAL
STYLIZED
our CRAFT

Characteristics
The artifacts made by
Y ancestors
BASED are also evidence of The art piece serves a practical
We
their spirituality. ORIENTED
can identify sophisticated design
The
celebration of nature,
The art of our ancestors
purpose in the lives of early
in traditional
as well as artifacts. The
the performance of rituals Our ancestors have a high regard
craftspeople
involve certain processes of
accompanying the creation and Filipinos, from the activities
are not only concerned
03
of traditional
for of
withsuggest
making craft. The objects found in the
that objects that are
Filipino Art
members of the community,
use of the objects, each individual to the shared
different
whether the craftspeople
traditions functional.
are connected They areregions
to their of theincountry
also skilled
practices of the community. The
02
create the objects
spiritual beliefs.guided by show that crafts persons
the design aspect of the objects they
forms
rituals, or guided for the use
make. Common demonstrated
objects
designs mastery
help
pay in the use in
people
tribute of everyday
of a member of the
community, the artist the materials.
to their immediate environment and
considers nature when
living.
show their respect for nature, using
making their art.organic forms.
01
 Our ancestors wove fabrics to make
clothes to protect their bodies
against the elements. They also
used woven fabrics to make food
Weaving containers. The art of weaving is
still being practiced in different
Tradition parts of the country today, and
various indigenous groups have
developed recognizable qualities in
their designs.
What is weaving?
• Weaving is the process of creating a surface using two sets of
thread-like material that interweave at right angles.
• The vertical set of thread-like material is called the warp, and
the horizontal set of thread-like material is the weft. The
interweaving of the warp and weft is called the weave. Weaving
is done by using a loom, a mechanism that sets the warp
material in place while the weft material is woven through
them.
• Two of the most common types of looms used in traditional
textile weaving are the back strap loom and the pedal loom.
PROJECT: Draw an Artifact
impact of the artifact to everyone around him.

Materials:
• Pencil and eraser
• Pen and ink Tech pen
• Velum board
Instructions:
• Draw an artifact that shows the prominent qualities of Philippine Traditional
Art.

REFLECTION:
• Write down your thoughts about the lesson. Describe the traditional artifact
that you have drawn.