Language Arts & Discipline Ebooks

“One of my favorite books of the year. It completely reshaped how I think about information and how and why I take notes.” —Daniel Pink, bestselling author of Drive A revolutionary approach to enhancing productivity, creating flow, and vastly increasing your ability to capture, remember, and benefit from the unprecedented amount of information all around us. For the first time in history, we have instantaneous access to the world’s knowledge. There has never been a better time to learn, to contribute, and to improve ourselves. Yet, rather than feeling empowered, we are often left feeling overwhelmed by this constant influx of information. The very knowledge that was supposed to set us free has instead led to the paralyzing stress of believing we’ll never know or remember enough. Now, this eye-opening and accessible guide shows how you can easily create your own personal system for knowledge management, otherwise known as a Second Brain. As a trusted and organized digital repository of your most valued ideas, notes, and creative work synced across all your devices and platforms, a Second Brain gives you the confidence to tackle your most important projects and ambitious goals. Discover the full potential of your ideas and translate what you know into more powerful, more meaningful improvements in your work and life by Building a Second Brain.

Writing is, and always will be, an act defined by failure. The best plan is to just get used to it.  Failure is a topic discussed in every creative writing department in the world, but this is the book every beginning writer should have on their shelf to prepare them. Less a guide to writing and more a guide to what you need to continue existing as a writer, On Writing and Failure: Or, On the Peculiar Perseverance Required to Endure the Life of a Writer describes the defining role played by rejection in literary endeavors and contemplates failure as the essence of the writer’s life. Along with his own history of rejection, Marche offers stories from the history of writerly failure, from Ovid’s exile and Dostoevsky’s mock execution to James Baldwin's advice just to endure, where living with the struggle and the pointlessness of writing is the point.

The Philosophy of Modern Song is Bob Dylan’s first book of new writing since 2004’s Chronicles: Volume One—and since winning the Nobel Prize for Literature in 2016. Dylan, who began working on the book in 2010, offers his extraordinary insight into the nature of popular music. He writes over sixty essays focusing on songs by other artists, spanning from Stephen Foster to Elvis Costello, and in between ranging from Hank Williams to Nina Simone. He analyzes what he calls the trap of easy rhymes, breaks down how the addition of a single syllable can diminish a song, and even explains how bluegrass relates to heavy metal. These essays are written in Dylan’s unique prose. They are mysterious and mercurial, poignant and profound, and often laugh-out-loud funny. And while they are ostensibly about music, they are really meditations and reflections on the human condition. Running throughout the book are nearly 150 carefully curated photos as well as a series of dream-like riffs that, taken together, resemble an epic poem and add to the work’s transcendence. In 2020, with the release of his outstanding album Rough and Rowdy Ways, Dylan became the first artist to have an album hit the Billboard Top 40 in each decade since the 1960s. The Philosophy of Modern Song contains much of what he has learned about his craft in all those years, and like everything that Dylan does, it is a momentous artistic achievement.

An entertaining and illuminating collection of weird, wonderful, and downright baffling words from the origins of English—and what they reveal about the lives of the earliest English speakers Old English is the language you think you know until you actually hear or see it. Unlike Shakespearean English or even Chaucer’s Middle English, Old English—the language of Beowulf—defies comprehension by untrained modern readers. Used throughout much of Britain more than a thousand years ago, it is rich with words that haven’t changed (like word), others that are unrecognizable (such as neorxnawang, or paradise), and some that are mystifying even in translation (gafol-fisc, or tax-fish). In this delightful book, Hana Videen gathers a glorious trove of these gems and uses them to illuminate the lives of the earliest English speakers. We discover a world where choking on a bit of bread might prove your guilt, where fiend-ship was as likely as friendship, and where you might grow up to be a laughter-smith. The Wordhord takes readers on a journey through Old English words and customs related to practical daily activities (eating, drinking, learning, working); relationships and entertainment; health and the body, mind, and soul; the natural world (animals, plants, and weather); locations and travel (the source of some of the most evocative words in Old English); mortality, religion, and fate; and the imagination and storytelling. Each chapter ends with its own “wordhord”—a list of its Old English terms, with definitions and pronunciations. Entertaining and enlightening, The Wordhord reveals the magical roots of the language you’re reading right now: you’ll never look at—or speak—English in the same way again.

A memoir by the New York Times–bestselling author and longtime chronicler of America’s wealthy elite. Born in Connecticut in 1929 and educated at Williams College, Stephen Birmingham went on to create a literary niche with his numerous nonfiction works about New York’s—and the nation’s—upper class, particularly focusing on Jewish, African American, and Irish communities, as well as old-money WASPs. He also drew on his “intimate knowledge of the private lives of the rich and famous” to write bestselling works of fiction such as The Auerbach Will (The New York Times Book Review). In this book, Birmingham’s attention is turned to his own life, both personal and professional, allowing us to learn about the man who created such compelling portraits of glittering parties, exclusive addresses, and, in some cases, rags-to-riches sagas that epitomize the American dream—and the American struggle. In the end, his story is as fascinating as those of the aristocrats he documented. “When it comes to the folkways of the rich, the powerful, and the privileged, Stephen Birmingham knows what he’s talking about.” —Los Angeles Times

Transforming Space over Time tells the stories of six diverse productions: five on Broadway and one Off Broadway. Tony Award–winning set designer Beowulf Boritt begins with the moment he was offered each job and takes readers through the conceptual development of a set, the challenges of its physical creation, and the intense process of readying it for the stage. Theater is at heart a collaborative art form, and Boritt shares revealing details of his work with the many professionals—directors, designers, technicians, producers, stage managers, and actors—who contribute their talent and ideas to each show. Included here are extensive conversations with theater legends James Lapine, Kenny Leon, Hal Prince, Susan Stroman, Jerry Zaks, and Stephen Sondheim, explaining how their different approaches to theater help to shape the vision for a set and best practices for creative collaboration. Boritt also offers valuable insights into the sometimes frustrating but unavoidable realities of the “biz” part of showbiz—budgets, promotion, reviews, and awards. Full of indispensable advice for aspiring and seasoned professionals, and with plenty of entertaining and enlightening anecdotes to engage passionate theatergoers, Transforming Space over Time peels back the curtain and illuminates the artistry and craft of professional theatrical production—and particularly the all-important collaboration of designers and directors.

Named a Best Book of the Year by: Time * New Yorker * Sunday Times (UK) From New York Times bestselling author Jami Attenberg comes a dazzling memoir about unlocking and embracing her creativity—and how it saved her life. In this brilliant, fierce, and funny memoir of transformation, Jami Attenberg—described as a “master of modern fiction” (Entertainment Weekly) and the “poet laureate of difficult families” (Kirkus Reviews)—reveals the defining moments that pushed her to create a life, and voice, she could claim for herself. What does it take to devote oneself to art? What does it mean to own one’s ideas? What does the world look like for a woman moving solo through it? As the daughter of a traveling salesman in the Midwest, Attenberg was drawn to a life on the road. Frustrated by quotidian jobs and hungry for inspiration and fresh experiences, her wanderlust led her across the country and eventually on travels around the globe. Through it all she grapples with questions of mortality, otherworldliness, and what we leave behind. It is during these adventures that she begins to reflect on the experiences of her youth—the trauma, the challenges, the risks she has taken. Driving across America on self-funded book tours, sometimes crashing on couches when she was broke, she keeps writing: in researching articles for magazines, jotting down ideas for novels, and refining her craft, she grows as an artist and increasingly learns to trust her gut and, ultimately, herself. Exploring themes of friendship, independence, class, and drive, I Came All This Way to Meet You is an inspiring story of finding one’s way home—emotionally, artistically, and physically—and an examination of art and individuality that will resonate with anyone determined to listen to their own creative calling.